Brahms’ Piano Quintet in F Minor

Brahms Piano QuintetA ferocious, restless energy characterizes Brahms’ Piano Quintet in F Minor, Op. 34. It’s music which is constantly developing and evolving from the smallest motivic seed.

At first Brahms wrestled to find the right instrumentation. The music started out as a string quartet, developed into a sonata for two pianos and then, on the recommendation of Clara Schumann, found its true form as a marriage of piano and strings. This evolution is similar to the compositional process of the First Piano Concerto, which was originally intended to be a symphony. It’s almost as if the piece was telling Brahms what it wanted to be as he composed.

Brahms completed the Piano Quintet in 1864, when he was in his early 30sListen for complex rhythmic shifts-moments where you might lose track of the downbeat. Also, listen for the reference to Beethoven’s Late String Quartets in the opening of the last movement.

Here is a classic 1968 recording with pianist Christoph Eschenbach and the Amadeus Quartet:

  1. Allegro non troppo 00:00
  2. Andante, un poco Adagio 14:44
  3. Scherzo. Allegro – Trio 23:37
  4. Finale. Poco sostenuto – Allegro non troppo 31:51

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About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

4 thoughts on “Brahms’ Piano Quintet in F Minor”

  1. Didn’t know that Clara Wieck-Schumann had such an influence on Brahms composing this quintet. That fact made me admire her even more. It’s a work that lifts me up and takes me into a world long forgotten.

  2. This recording is very good, but the Amadeus Quartett is much more better again with Clifford Curzon in a Nov. 1974 live recording at the Royal Festival Hall London (BBC Legends), which is a very exciting performance!….
    Note also the very good recording of the Quartetto Italiano with Maurizio Pollini which gives to this music a sort of latin touch.

      • It’s a great pleasure for me to be connected with you Thimoty, and to share our knowledge about our common passion! classical music is so marvelous!…
        I’ve also taken a look on your blog about your violin school, that’s so nice to see all these young children learning to play violin with a such teacher….this must be a real enjoyment for you….


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