Excerpts from Houston Grand Opera’s Adventurous Discography

The water is receding and the cleanup begins in Houston’s hard-hit theater district. The Wortham Theater Center, home of Houston Grand Opera, experienced significant flooding from Hurricane Harvey with water reaching the top of one of the complex’s stages. Referencing a recent staging of Wagner’s Ring Cycle, the company put out a statement this week including the following lines,

 Houston Grand Opera will recover and deliver a fantastic season to our patrons, giving them the art they need to heal from this calamity. The only future water we want coming across our stage is that of the Rhine!

Founded in 1955, Houston Grand Opera regularly commissions and produces new operas by American composers. In 1984, the company was one of the first to introduce supertitles for non-English language operas. In April, 1988, the premiere of John Adams’ Nixon in China was nationally broadcast by PBS’s Great Performances. Here are a few “drop the needle” highlights from Houston Grand Opera’s discography which remind us that opera is still a vibrant, continually-evolving art form:

Porgy and Bess

Houston Grand Opera’s 1976 staging of George Gershwin’s Porgy and Bess, conducted by John DeMain, restored the complete score after it had languished for years. Here is the opening of the first act and Summertime:

Of Mice and Men

Carlisle Floyd’s 1969 Of Mice and Men is based on John Steinbeck’s novella. Here is the final act’s finale:

Little Women

Mark Adamo’s 1998 Little Women is based on the book by Louisa May Alcott. The opera was commissioned by Houston Grand Opera’s studio program for young artist development:


Dead Man Walking

Jake Heggie’s 2000 Dead Man Walking “tells the journey of a Louisiana nun who becomes the spiritual advisor to a convicted murderer on Angola’s death row.” 

The Refuge

Houston is the most diverse city in the United States with more than one in five foreign-born residents. Christopher Theofanidis’s 2007 The Refuge “tells the stories of hundreds of immigrants from the African, Central American, Indian, Mexican, Pakistani, Soviet-era Jewish and Vietnamese communities who have made Houston their new American home.” 

Brief Encounter 

Brief Encounter, André Previn’s 2009 opera in two acts, is based on Noël Coward’s play, Still Life which inspired Coward’s 1945 film, Brief Encounter. Here is the lushly Romantic orchestral introduction to the first act- music which recalls Prokofiev and Bernstein:

A Coffin in Egypt

In 2014, Houston Grand Opera gave the premiere of A Coffin in Egypt, a two act chamber opera by Ricky Ian Gordon. The work was written for mezzo-soprano Frederica von Stade. Set in Egypt, Texas, it tells the story of a wealthy, embittered 90-year-old widow who attempts to find solace in past memories.


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Photograph: The Wortham Theater Center 

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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