Clara Haskil Plays Mozart

As Clara sat down “the music materialized as if from nowhere. Her arm seemed to glide over the keyboard without preparation, just as a flat stone skims across the water. This was so typical of her playing; nothing seemed to start or end, and everything became timeless.”

This is how the late German pianist, composer, and teacher Peter Feuchtwanger described the musicianship of Clara Haskil (1895-1960). The legendary Romanian-born pianist is remembered as one of the greatest interpreters of Mozart. Listening to the recordings below, you aren’t aware of pianistic technique, style, or the personality of the performer. All of these analytical issues melt away into irrelevance as we’re pulled into pure music. Clara Haskil’s Mozart unfolds so effortlessly and naturally that the music seems to be playing through the performer.

Some listeners hear a vague sadness lurking beneath the sunny, crystalline exterior of Mozart’s music. It’s a distant sense of lament which can’t be put into words. There are hints of this quality in these recordings- perhaps in the C Major Sonata’s opening movement, or in the quiet anguish of this passage (the dissonance at 10:53) in the Andante cantabile which follows. There’s the sublime solitude of the Romanza second movement of Piano Concerto No. 20. But there is also the frolicking humor of the Concerto’s final movement- music which always reminds me of the “Turkish Dance” section of the final movement of Mozart’s Fifth Violin Concerto.

Mozart: Piano Sonata No. 10 in C Major, K. 330

Mozart: Piano Concerto No. 20 in D minor, K. 466

Mozart: Violin Sonata No. 32 in B-flat Major, K. 454

Among Clara Haskil’s frequent collaborators was the violinist Arthur Grumiaux. Amazingly, the two were skilled enough at the other’s instrument that they would occasionally switch. Here is a live performance from 1957:


  • Mozart: Piano Sonata No. 10 in C Major, K. 330, Clara Haskil iTunes
  • Mozart: Piano Concerto No. 20 in D minor, K. 466, Clara Haskil, Igor Markevitch, Orchestre des Concerts Lamoureux iTunes
  • Mozart: Violin Sonata No. 32 in B-flat Major, K. 454, Clara Haskil, Arthur Grumiaux Amazon
  • Clara Haskil’s complete discography iTunes

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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