Mozart’s Piano Concerto No. 21: Fazıl Say and the Frankfurt Radio Symphony

The Piano Concerto No. 21 in C Major, K. 467 is one of Mozart’s most famous and often performed pieces. Yet, this is easy to forget as you listen to the performance below from April, 2017, featuring the Turkish pianist and composer Fazıl Say with Peter Oundjian and the Frankfurt Radio Symphony. The music comes alive with joy, spontaneity, and sparkle. The cadenzas (heard at the end of the first and third …

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Louis Kaufman and the Sound of Hollywood’s Golden Age

While you may not recognize his name, chances are good that you have heard American violinist Louis Kaufman (1905-1994). Kaufman has been called “possibly the most recorded musical artist of the twentieth century.” In addition to making around 125 classical recordings, his rich, chocolatey sound is etched into as many as 500 film soundtracks. His singing tone, with its generous use of portamento and fast, shimmering vibrato, is the distinct sound we …

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Mozart’s Oboe Concerto: François Leleux and the Frankfurt Radio Symphony

Mozart wrote the Oboe Concerto in C Major for Giuseppe Ferlendis, an Italian oboist who was appointed to the Salzburg Court Orchestra in April, 1777. A few months after the work’s completion, the 21-year-old composer was pressed for time to fulfill a commission in Mannheim from the Dutch flutist, Ferdinand De Jean. He adapted the Oboe Concerto for flute, and the recycled piece became his Flute Concerto No. 2 in D Major. After …

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John Adams’ Piano Concerto, “Must the Devil Have All the Good Tunes?”

John Adams’ Piano Concerto, Must the Devil Have All the Good Tunes?, was commissioned by the Los Angeles Philharmonic as part of its 2018-19 Centennial season. Technically, it counts as Adams’ “Piano Concerto No. 3,” following the exhilaratingly mechanical Century Rolls (1996) and the dreamy impressionism of Eros Piano (1989). The Concerto unfolds seamlessly in a single, continuous movement broken into three sections (fast-slow-fast). According to Adams, the title, attributed to Martin Luther, came from an article …

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New Release: Paul Merkelo’s “The Enlightened Trumpet” (Haydn, Telemann, Mozart, Hummel)

Paul Merkelo’s new album, The Enlightened Trumpet, features the Trumpet Concertos of Haydn, Telemann, Leopold Mozart, and Hummel. The album showcases the technological development of the instrument during the Age of Enlightenment, with the introduction of the keyed trumpet. Unlike the earlier, valveless natural trumpet, the keyed trumpet could play all of the notes of the chromatic scale. This allowed the trumpet to come into its own as a solo instrument. Paul Merkelo …

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Vivaldi’s Violin Concerto in G Minor, RV 317: Julien Chauvin and Le Concert de la Loge

If you have forgotten how exciting the music of Antonio Vivaldi (1678-1741) can be, take a moment and listen to this concert performance of the Violin Concerto in G minor, RV 317, featuring French violinist Julien Chauvin and Le Concert de la Loge. As this clip demonstrates, brilliant, crackling virtuosity and searing drama lie at the heart of Vivaldi’s music. In addition to composing more than five hundred concertos, ninety solo sonatas, and dozens …

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Henri Vieuxtemps at 200: Historic Recordings of Heifetz and Nadien

Today marks the 200th anniversary of the birth of the great Belgian violinist and composer, Henri Vieuxtemps (1820-1881). A student of Charles Auguste de Bériot, Vieuxtemps toured Europe as a young prodigy, attracting the attention of Louis Spohr, Schumann, Berlioz, and Paganini. At the age of 14, he learned Beethoven’s Violin Concerto in two weeks and performed it in Vienna. As unimaginable as it may seem now, this cornerstone of the violin repertoire was a …

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