Remembering Ida Haendel

The eminent Polish-born violinist Ida Haendel passed away Tuesday at the age of 91. As a student of Carl Flesch and George Enescu, Haendel represented one of the last direct links to the distinctive and personal violin playing of the nineteenth and early twentieth centuries. As a child prodigy, she was a top prize winner in the first Henryk Wieniawski Violin Competition, where she competed against such towering figures as David Oistrakh …

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Mozart’s Piano Concerto No. 22 in E-Flat Major: Mitsuko Uchida and the ECO

Mozart was hard at work on The Marriage of Figaro when he completed the Piano Concerto in E-flat Major, K. 482 on December 16, 1785. As with many of his instrumental works, the Concerto is infused with a vibrant sense of operatic drama. From the bold fanfare which functions as a “call to order” at the beginning of the first movement, colorful musical “characters” take the stage and enter into a continuous stream of …

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Bach’s Concerto for Two Violins, The Netherlands Bach Society

In 1711, a collection of violin concertos by Antonio Vivaldi was published in Amsterdam under the title, L’estro armonico (“The Harmonic Inspiration”). It was a prime example of the Baroque concerto grosso form, in which a solo instrument, or small group of instruments, engage in continuous dialogue with a larger ensemble. The British musicologist Michael Talbot has called L’estro armonico “perhaps the most influential collection of instrumental music to appear during the whole of the …

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Saint-Saëns’ Second Piano Concerto: Fazıl Say in Concert

After hearing the premiere of Camille Saint-Saëns’ Piano Concerto No. 2, the pianist and composer Sigmond Stojowski remarked that it “began with Bach and ended with Offenbach.” Indeed, this is music which takes us on a wildly exhilarating and mercurial ride. Its structure shakes up the traditional concerto form with a slow and solemn first movement, a bright scherzo for the second movement, and a concluding presto. In May of 1868, the …

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Remembering Lynn Harrell

The American cellist Lynn Harrell passed away unexpectedly on Monday. He was 76. Years ago when I was a student one summer at the Chautauqua Institution, I attended Harrell’s masterclass and recital. His down-to-earth, irreverent sense of humor, powerful, singing tone, and profound musicianship are etched in my memory. During a career that spanned six decades, Lynn Harrell appeared regularly with the world’s top orchestras. He will be remembered also as an accomplished …

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Prokofiev’s Second Violin Concerto: Chilly Anxiety on the Edge of Terror

Sergei Prokofiev’s Violin Concerto No. 2 in G minor begins with a lonely, lamenting statement in the solo violin. It’s a strangely solitary voice which opens the door to an unsettling drama filled with chilly anxiety and occasional raw terror. In his program notes, the American violinist Stefan Jackiw, who can be heard in this excellent concert performance of the piece, provides the following descriptive analysis of this opening: Prokofiev puts the …

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Mozart’s Piano Concerto No. 21: Fazıl Say and the Frankfurt Radio Symphony

The Piano Concerto No. 21 in C Major, K. 467 is one of Mozart’s most famous and often performed pieces. Yet, this is easy to forget as you listen to the performance below from April, 2017, featuring the Turkish pianist and composer Fazıl Say with Peter Oundjian and the Frankfurt Radio Symphony. The music comes alive with joy, spontaneity, and sparkle. The cadenzas (heard at the end of the first and third …

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