Wagner’s “Die Meistersinger” Overture: Herbert von Karajan and the Berlin Philharmonic

Tomorrow marks the 205th anniversary of the birth of Richard Wagner (1813-1883). In celebration, let’s listen to a classic recording of the Overture to Wagner’s 1868 opera, Die Meistersinger von Nürnberg, by Herbert von Karajan and the Berlin Philharmonic.

Die Meistersinger is one of Wagner’s later works, completed after Tristan and Isolde and between operas of the Ring Cycle. It’s something of an outlier in Wagner’s output- a comic love story in which no one dies and there are no supernatural characters or magic spells. The opera’s themes encompass the role of art in society and the conflict between tradition and new ideas. The plot involves an annual singing contest and a guild of musicians and poets dedicated to the rules of their craft. Eva, the daughter of a goldsmith, and the knight, Walther, fall in love at first sight. But Eva’s father has promised her hand in marriage to the winner of the singing contest. In the opera, the final bars of the Overture, set with majestic fanfares in the brass, lead directly into the first act. As a church service is concluding, Eva and Walther first catch sight of one another. In between chorale phrases, their newfound love comes to life in fleeting duets in the orchestra.

The exhilarating counterpoint and nobility of Wagner’s Overture sets the stage for the four and a half hour drama which follows. This performance is filled with an incredible raw, searing power which moves far beyond the “careful” or “clinical.” There’s a mysterious, intangible presence in the sound. It’s music filled with comedy as well as soaring euphoria:


  • Wagner: Die Meistersinger von Nürnberg Overture, Berlin Philharmonic, Herbert von Karajan iTunes
  • Wagner: Die Meistersinger von Nürnberg Overture (complete opera), Staatskapelle Dresden, Herbert von Karajan Amazon

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

1 thought on “Wagner’s “Die Meistersinger” Overture: Herbert von Karajan and the Berlin Philharmonic”

  1. This is one of my favorites among the overture genre. In the Autumn of 1961, our high school symphonic band director put this in the hopper, as it were, for a performance at the Spring concert. We had 70 players — good ones — Of course the music had been re-scored for band. And we worked on the piece a section at a time, in with all the other music we were learning. Two of us horns were juniors, and two were sophomores. Did we have fun with this! ‘Course there were some who were convinced it would be ‘boring’ but a full school-year’s work changed that. Learning this work made it possible for us to go on to other major works. I look back after 55 years and remembering how good it felt! Ken Suetterlin, Marshalltown, Iowa .


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