New Release: Víkingur Ólafsson Plays Bach

The music of J.S. Bach travels well. It is some of the most perfect and highly-ordered music ever written. Yet it’s also some of the most durable and versatile. These 300-year-old notes continue to come alive in new and exciting ways. We got a sense of this earlier in the month with violinist Hilary Hahn’s fiery, romantic approach to solo Bach, reminiscent of the free and distinctive interpretations of twentieth century artists like Kreisler, Heifetz, Milstein, Szeryng, Grumiaux, and Oistrakh.

Something similar emerges on a newly-released Bach album by Víkingur Ólafsson. The 34-year-old Icelandic pianist performs with a free-spirited conviction that has been compared to the Bach interpretations of Glenn Gould. The album includes excerpts from the Well-Tempered Clavierthe Sinfonia No. 15 in B minor, BWV 801, and the Aria variata, BWV 989, as well as arrangements by Rachmaninov and Busoni. Ólafsson adds to this tradition with his own transcription of the first aria from the solo cantata for alto “Widerstehe doch der Sünde.”

Here is the Fugue from Bach’s Fantasia and Fugue in A minor, BWV 904. The opening subject seems to be searching for a path forward, reaching higher, hesitating, and then falling back. A thrilling contrapuntal drama unfolds as this lonely, almost naive, line is joined by company. The way these voices converse and interact is what makes a great fugue so much fun. Bach would have improvised this kind of music on the spot, yet these voices spring to life with a sense of timeless inevitability. Almost halfway through, the initial fugue subject cuts off abruptly and is replaced with a new subject which takes the form of a mysterious falling chromatic line. Listen to the bold way the initial subject returns, and the two seemingly disparate ideas merge together in an awe-inspiring and celebratory climax.


About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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