Maurice Duruflé’s “Four Motets on Gregorian Themes”: An Excerpt from the Houston Chamber Choir’s New Recording

Here is another brief excerpt from a Grammy nominated recording we sampled last month. It comes from the album, Duruflé: Complete Choral Works, released last April. The Houston Chamber Choir is led by its artistic director and founder Robert Simpson. The serene, timeless sounds of Gregorian chant emerge throughout the music of the twentieth century French composer and organist Maurice Duruflé (1902-1986). In Quatre Motets sur des thèmes grégoriens (“Four motets on Gregorian themes”), written in 1960, echoes …

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Maurice Duruflé’s Requiem: Two Celestial Excerpts from the Houston Chamber Choir’s New Recording

Among the 2020 Grammy Nominees, released earlier this week, is a spectacular new album featuring music of the twentieth century French composer and organist Maurice Duruflé (1902-1986). The Houston Chamber Choir, led by its artistic director and founder Robert Simpson, released Duruflé: Complete Choral Works in April on the Signum Records label. The professional chamber ensemble is joined on the recording by Canadian organist Ken Cowan. Maurice Duruflé completed the Requiem pour soli, choeurs et …

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New Release: Bruckner’s Ninth Symphony, Manfred Honeck and the Pittsburgh Symphony Orchestra

We explored Anton Bruckner’s Symphony No. 9 in D minor in a previous post featuring Bruno Walter’s 1959 studio recording with the Columbia Symphony Orchestra. As a supplement to that classic recording, let’s listen to Manfred Honeck’s newly-released, Hybrid SACD album with the Pittsburgh Symphony Orchestra, recorded live in Heinz Hall. The ninth in an acclaimed series of Pittsburgh Live! recordings, this new album offers an amazing level of clarity that allows us …

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New Release: Renée Fleming’s “Lieder”

Renée Fleming’s newest album features songs by Brahms, Schumann, and Mahler. Released on June 14, this is the four-time Grammy winning soprano’s first full-length Lieder album for almost two decades. The recording opens with a beautiful and hypnotic performance of Brahms’ famous Lullaby, Wiegenlied, Op. 49, No. 4. Here are three additional excerpts: Brahms: 4 Lieder, Op. 43 – 2. Die Mainacht “The May Night” describes a shadowy scene of lonely wandering, endless …

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New Release: RPO’s “American Rapture” Features Music of Higdon, Barber, and Harlin

The Rochester Philharmonic Orchestra and Music Director Ward Stare have released a new album of American music on the Azica label. American Rapture contains two world premiere recordings—Jennifer Higdon’s Harp Concerto (2018) featuring the American harpist Yolanda Kondonassis, and Patrick Harlin’s Rapture (2011), an orchestral showpiece inspired by the terrifying and awe-inspiring exploration of the world’s deepest caves. In between these youthful pieces is Samuel Barber’s Symphony No. 1, a monumental mid-twentieth century work which unfolds in a single …

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New Release: András Schiff Plays Schubert Sonatas and Impromptus

Sir András Schiff’s new album takes us back to the sounds Schubert would have heard. The Hungarian-born British pianist performs on a fortepiano made around 1820 by Franz Brodmann. The instrument, once owned by Karl I, the last emperor of Austria-Hungary, is an early version of the piano. In the liner notes, Schiff writes, It is to me ideally suited to Schubert’s keyboard works. There is something quintessentially Viennese in its timbre, its …

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New Release: Duo Bednarz-Hiratsuka’s “Giya Kancheli: Sunny Night”

Giya Kancheli (b. 1935) is one of the most distinctive twentieth century composers to emerge from the former Soviet Union. Kancheli, who was born in Georgia and emigrated to Belgium following Soviet dissolution in 1991, has written seven symphonies as well as other large-scale orchestral works such as Mourned by the Wind, described as a “liturgy” for viola and orchestra. His catalogue also includes operas, chamber works, and numerous film scores. Many of …

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