“I Am Lost to the World”: Mahler’s Song of the Solitary Artist

I am dead to the world’s tumult,
And I rest in a quiet realm!
I live alone in my heaven,
In my love and in my song!

These are the final lines of “Ich bin der Welt abhanden gekommen” (“I Am Lost to the World”), a poem by Friedrich Rückert (1788-1866) which Gustav Mahler set as the fourth song of his Rückert Lieder in the summer of 1901. Mahler was personally drawn to the poem, which speaks of the solitary world of the artist- a mysterious, transcendent place which redefines the true nature of fantasy and reality.

As with Mahler’s other songs, in “Ich bin der Welt abhanden gekommen” the human voice enters into a sublime dialogue with the voices of the orchestra. The song opens with the plaintive, pastoral sounds of the English horn. The opening bars seem to develop out of silence, as if gradually awakening and coming into focus…two tentative notes, then three, and finally a full, expansive phrase. In this passage, the lower strings engage in a canonic conversation with the vocal line. Later, we hear the lonely, wandering, nocturnal strands of the solo horn and the shimmering solo violin, voices which emerge throughout Mahler’s symphonies.

Here is Dame Janet Baker’s legendary 1967 recording with Sir John Barbirolli and the New Philharmonia Orchestra:

You may have noticed some interesting similarities between “Ich bin der Welt abhanden gekommen” and the famous, celestial Adagietto fourth movement of Mahler’s Fifth Symphony. (For example, compare this passage, which comes in the opening and closing bars of the song, with the climax of the Adagietto). The Fifth Symphony was written during the same period of time in the summers of 1901 and 1902 at Mahler’s secluded composing hut (pictured above) at Maiernigg on the shores of the Wörthersee in southern Austria. In this case, the song seems to have provided a seed for the symphony.

Poised somewhere between tension and repose, “Ich bin der Welt abhanden gekommen” is filled with moments which melt away into dreamy harmonic ambiguity. In this excerpt from the fourth lecture of his 1972 series, The Unanswered Question, Leonard Bernstein outlines something similar in the Adagietto. 

In Wednesday’s post, we’ll explore Mahler’s Fifth Symphony in its entirety. For now, here is the Adagietto performed by Herbert von Karajan and the Berlin Philharmonic:

Recordings

  • Mahler: Rückert Lieder, Dame Janet Baker, Sir John Barbirolli, New Philharmonia Orchestra Amazon
  • Mahler: Symphony No. 5, Herbert von Karajan, Berlin Philharmonic Amazon

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

2 thoughts on ““I Am Lost to the World”: Mahler’s Song of the Solitary Artist”

  1. I read your informative notes on Mahler’s #5, and wonder if you were aware of the new recording of Otto Ringer’s transcription of this work for Piano four-hands. the Trenkner and Speidel duo have just released it on MDG Gold, and it is quite impressive. As a Mahler zealot, I’ve collected examples of practically everything Mahler ever composed (specifically, current recordings, not necessarily multiples). I’m still hoping that someone will release piano versions of #4 and #9 to complete the set.

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