Search Results for: Dvorak symphony

Dvořák’s Sixth Symphony: Sunny Bohemian Pastures

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Antonín Dvořák’s Symphony No. 6 is the music of sunny Bohemian pastures. Warm, effortlessly flowing melodies meet the fiery, exuberant rhythms of a Czech folk dance. A sense of blissful, bucolic grandeur permeates the entire Symphony. As the biographer Otakar Sourek noted, “it breathes the sweet fragrance and unspoiled beauty of Czech woods and meadows.” Dvořák’s first five symphonies can be heard as exercises in the mastery of the form. In the …

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Dvořák’s Eighth Symphony: A Sunny Bohemian Adventure

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Antonín Dvořák’s Symphony No. 8 in G major inhabits a sunny, pastoral world filled with Bohemian folk melodies, rustic peasant dances, distant horn calls, and echoes of the birdsongs of the forest. It’s an enchanting world of exuberant celebration and quiet, lamenting nostalgia. Following the restless and stormy Seventh Symphony, Dvořák remarked that the Eighth, completed in the autumn of 1889, was “different from the other symphonies, with individual thoughts worked out …

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Dvořák’s “New World Symphony”: Alan Gilbert and the New York Philharmonic

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On Friday, it was announced that conductor Alan Gilbert will take the reins of Hamburg’s NDR Elbphilharmonie Orchestra as its next chief conductor. Between 2004 and 2015, Gilbert served as the ensemble’s principal guest conductor. (Back in January, I wrote about the opening of the NDR Elbphilharmonie Orchestra’s spectacular new landmark concert hall, which floats above Hamburg’s harbor like a giant, glistening, icy wave). Alan Gilbert’s final performance as music director of the New York …

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Dvorak’s Seventh Symphony: Defiantly Czech

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Consider, for a moment, all of the possible ways a symphony can begin. Then, listen carefully to the opening of Antonín Dvořák’s Symphony No. 7 in D minor. This opening statement, emerging out of the dark depths of D minor, is filled with mystery, tension, quiet anxiety, and restless, heroic energy. It’s a world away from the sunny majesty of Dvořák’s Eighth or the hushed, lamenting nostalgia of the introduction of the “New World” Ninth. Here, …

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The Houston Symphony’s New Dvorak Recording

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Here’s a sample of the Houston Symphony’s new Dvorak recording, released last Friday. The album, which pairs Dvorak’s Seventh and Eighth Symphonies, is music director Andrés Orozco-Estrada’s inaugural recording with the orchestra. It’s the first in a series of Houston Symphony Dvorak disks on the Dutch-based Pentatone label. A May 1 release will include Symphony No. 6 and later in the year the series will conclude with Symphony No. 9. Dvorak’s bubbly Czech-folk-inspired Slavonic Dances …

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Dvořák’s Violin Concerto in A Minor: Spirited Bohemian Strains

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Once, while reflecting on his music, Antonín Dvořák commented, “I myself have gone to the simple, half-forgotten tunes of the Bohemian peasants for hints in my most serious works. Only in this way can a musician express the true sentiment of his people.” Dvořák’s Violin Concerto in A minor, Op. 53 overflows with the spirited strains of the composer’s Czech homeland. Bending sonata form and liberating the traditional structure of the concerto, …

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Schubert’s Third Symphony: Effortless Music from a Miraculous Year

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1815 has been called Franz Schubert’s “miracle year.” In those twelve months, while working as a full-time schoolteacher, the 18-year-old composer wrote more than 20,000 bars of music. Among other works, he completed two symphonies (Nos. 2 and 3), two masses, a string quartet, two piano sonatas, and 145 songs (including the famous Erlkönig). Schubert’s biweekly composition lessons with Antonio Salieri during this period remind us that, even for the most intuitive …

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