Classical Period

Mozart’s String Quartet No. 21 in D Major, K. 575: Music for a Prussian King

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In June of 1789, the 33-year-old Mozart began writing a set of six string quartets for Friedrich Wilhelm II, the King of Prussia, a passionate music lover and a fine amateur cellist. Mozart had played at the King’s Potsdam court during a tour the previous spring. Ultimately, Mozart was unable to fulfill the commission. After completing the first Quartet (K. 575), he became occupied with the opera, Così fan tutte. He returned to …

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Mozart’s “The Marriage of Figaro” Overture: A Wild and Exhilarating Ride

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Mozart’s 1786 comic opera in four acts, The Marriage of Figaro, K. 492, is filled with trickery, deception, overheard conversations, cunning disguises, and crazy schemes. Unfolding over the course of a single “day of madness,” it tells the story of two servants, Figaro and Susanna, who succeed in getting married despite the efforts of their lecherous employer, Count Almaviva. The play by Pierre Beaumarchais, on which the opera was based, faced censorship because …

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Mozart’s “Eine Kleine Nacht-Musik”: A Cheerful Nocturnal Serenade

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Mozart’s G major string Serenade No. 13, commonly known as Eine kleine Nachtmusik (“A Little Night Music”), is among the most enduring popular music ever written. Responding to an unknown commission, Mozart dashed it off on August 10, 1787 in Vienna as he worked on the second act of the opera, Don Giovanni. Originally scored for string quartet and double bass, the piece is frequently performed by a string orchestra. German commentator Wolfgang Hildesheimer wrote, “even …

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Mozart’s “Ave Verum Corpus”: Sublime Simplicity

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Austrian pianist Artur Schnabel insisted that Mozart’s Ave verum corpus, K. 618 is “too simple for children, and too difficult for adults.” Indeed, this simple choral, unfolding over 46 measures, imparts a cosmic “rightness.” It says all that needs to be said. The score is inscribed with a single interpretive marking—sotto voce, which implies a hushed, reverent tone. This motet was composed in the final six months of Mozart’s life, concurrently with The …

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Mozart’s Piano Concerto No. 17 in G Major: A Magical Operatic Drama

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Mozart wrote six piano concerti in 1784. Each distinct in atmosphere, they served as dazzling vehicles to highlight the composer’s skill as one of Vienna’s superstar keyboard players. Among these works, Piano Concerto No. 17 in G Major, K. 453 has a special story. Mozart wrote it for his beloved student, Barbara (“Babette”) Ployer, the teenage niece of an adviser to the Salzburg imperial court, who lived outside of Vienna. Proudly, he …

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Mozart’s Symphony No. 27 in G Major: Salzburg Sunshine

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Symphony No. 27 in G Major, K. 199 is sunny, youthful music of the 17-year-old Mozart. Completed in April of 1773, it is among a group of four symphonies Mozart wrote after returning home to Salzburg following his second trip to Italy. (His opera, Lucio Silla, was being performed in Milan). Two months later, Mozart and his father would set out for the imperial capital of Vienna. Scored for two flutes, two …

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Martha Argerich Plays Beethoven: Piano Concerto No. 2 in B-flat Major

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The Piano Concerto No. 2, Op. 19 is music of the youthful Beethoven. Composed between 1787 and 1789, it predated the First Concerto, but was published out of sequence. Filled with charm and exuberance, it follows the model of Mozart. The acclaimed pianist, Martha Argerich is now an octogenarian, yet her performance of this music sparkles with youthful vitality. (Amazingly, she was already performing Beethoven Concerti at the age of 8, as …

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