Opera

Vivaldi’s “Sonno, se pur sei sonno” from “Tito Manlio”: Lucio’s Lament

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Antonio Vivaldi’s opera, Tito Manlio, composed over the course of five days in December of 1718, centers around a turbulent moral dilemma. Love and loyalty to family come into conflict with duty and rigid adherence to the law. Here is a brief synopsis, provided by Naxos.com: Titus Manlius is engaged in war with the people of Latium. Conflicts of love and duty arise with his daughter Vitellia, in love with the Latin …

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Remembering Roger Norrington

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Sir Roger Norrington, the English conductor known for historically informed performances, passed away last Friday, July 18. He was 91. Born in Oxford, Norrington rose to prominence in the 1960s when he revived and championed the choral music of the 17th century German composer, Heinrich Schütz (1585-1672). In 1962, Norrington founded the Schütz Choir. He went on to found the London Classical Players, an ensemble he led until 1997. In later years, he …

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Jascha Heifetz and Bing Crosby: Berceuse from Godard’s “Jocelyn”

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Jascha Heifetz was the ultimate “crossover artist” before the term existed. During the Second World War, Heifetz joined popular entertainers such as Bing Crosby and Bob Hope in performances for U.S. servicemen. Heifetz’ collaborations with Crosby included this performance, recorded in Los Angeles on July 13, 1946, months after the War’s end. Accompanied by the studio musicians of the Victor Young Orchestra, Heifetz and Crosby performed the Berceuse (Lullaby) from the opera, …

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Wagner’s “Die Meistersinger” Overture: Giuseppe Sinopoli and the Staatskapelle Dresden

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Richard Wagner’s 1868 opera, Die Meistersinger von Nürnberg (“The Mastersingers of Nuremberg”), is a comic love story, set in the sixteenth century. Its plot centers around the historical Master Singers, an ancient guild of amateur poets and musicians who were primarily middle class master craftsmen of various trades. The guild’s Tabulatur, or law book, established an intricate system of rules which dictated the structure and performance of songs. The opera’s principle theme involves …

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Berlioz’ “Béatrice et Bénédict”: Four Excerpts from the Comic Opera

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Beatrice and Benedict, the principal characters of Hector Berlioz’s 1862 comic opera of the same name, quarrel, hurl taunts and insults at one other, and then fall in love. Berlioz described the two-act opera, based on Shakespeare’s Much Ado About Nothing, as “a caprice written with the point of a needle.” It was his final completed work. Biographer David Cairns observes that “listening to the score’s exuberant gaiety, only momentarily touched by sadness, …

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Handel’s “I Was Born to Weep”: A Mournful Duet from “Giulio Cesare”

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Handel’s 1724 celebrated opera, Giulio Cesare in Egitto, HWV 17 (“Julius Caesar in Egypt”), explores themes of “power, ambition, love, and revenge.” Set during the Roman Civil War of 49-45 BC, it chronicles the love story between Caesar and the cunning seductress Cleopatra. Amid this political drama, Cornelia and her stepson Sesto are determined to avenge the beheading of Pompeo (Cordelia’s husband) by Tolomeo, who rules Egypt with his sister, Queen Cleopatra. …

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Remembering John Nelson

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American conductor John Nelson passed away on March 31, 2025. He was 83. Born in San José, Costa Rica, to American missionary parents, Nelson studied at Wheaton College and later at the Juilliard School. He went on to serve as music director of the Indianapolis Symphony Orchestra (1976-1987), Opera Theatre of St. Louis (1985-1988), the Caramoor Music Festival in New York (1983-1990), and the Orchestre de chambre de Paris (1998-2008). Additionally, he …

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