Liszt’s "Forgotten Romance" with the Viola

It’s an example of one piece of music “giving birth” to another. In 1880 Franz Liszt’s publisher requested a reprint of a piece Liszt had written in 1848: the Romance in E for piano. The two minute Romance begins and ends in a slightly turbulent E minor. In between, it restlessly moves, first into the relative major key of G and then flirts with a distant and ultimately unattainable A-flat major. At this …

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Tannhäuser at the Vatican

To finish out the week, here is a particularly exciting performance of Wagner’s Overture to the 1845 opera, Tannhäuser. The clip comes from a special 2005 concert at the Vatican in the presence of Pope Benedict. Christian Thielemann is conducting the Munich Philharmonic. Tannhäuser is based on two German legends, one involving a singing contest at medieval Wartburg Castle, which sits on a rocky outcrop 1,350 feet above the town of Eisenach. The Overture opens …

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Ivan Moravec Plays Chopin

  The legendary Czech pianist Ivan Moravec passed away on Monday at the age of 84. He was widely regarded as one of the finest interpreters of the music of Chopin. Mozart and Debussy were also high points of his repertoire. Born in Prague, and initially limited by the constraints of the Iron Curtain, Moravec first became known in the West through his recordings. Listening to Moravec’s extensive discography, it’s easy to …

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Remembering Tenor Jon Vickers

  The Canadian tenor Jon Vickers, who brought “a colossal voice and raw dramatic intensity” to some of opera’s most powerful roles, passed away on Friday following a battle with Alzheimer’s disease. He was 88. After studying at Toronto’s Royal Conservatory of Music, Vickers rose to prominence in the late 1950s and early 60s with appearances at London’s Royal Opera House, Covent Garden and the Metropolitan Opera. His recordings suggest that he had …

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Beethoven’s "Razumovsky" Quartet No. 7

Beethoven’s String Quartet No. 7 in F major, Op. 59, No. 1 begins with an extraordinary musical conversation. From the first note of the cello’s warm opening statement, we’re immediately drawn into a miraculous, unfolding drama. The cello reaches higher, attempting to express something enormous and cosmic. The violin picks up where the cello left off, reaching even higher with increasing urgency and abandon. Both voices seem to be struggling to find just the …

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Symphonic Snapshot: Mahler’s Second

In 2011, Music Director Alan Gilbert and the New York Philharmonic marked the tenth anniversary of the September 11, 2001 terrorist attacks with a free “Concert for New York” at Avery Fisher Hall. The program featured Gustav Mahler’s Symphony No. 2 “Resurrection,” a piece which opens with an anguished funeral march and culminates in a moment of ultimate transfiguration. In the final bars of the fifth movement, the traditional orchestra is suddenly augmented by …

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Remembering Walter Weller

  Austrian conductor and violinist Walter Weller passed away last Sunday at the age of 75. Weller was one of the last links to a Viennese musical tradition rooted in the nineteenth century. Following in his father’s footsteps, Walter Weller joined the Vienna Philharmonic at the age of 17, eventually becoming one of its concertmasters. In addition, he performed as first violinist of the Weller Quartet. In 1966 he was asked to …

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