Beethoven’s Fifth Symphony

Can you imagine how shocking the opening of Beethoven’s Symphony No. 5 in C minor, Op.67 must have been for audiences at the first performance in 1808? While the classical style of Mozart and Haydn was rooted in elegance and balance, Beethoven made the orchestra growl. There’s a sense of struggle, as if he’s impatiently pushing the classical orchestra to its limits. The entire symphony springs from the first ferocious four notes. It’s a study …

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Beethoven and the Turbulence of C Minor

The key of C minor held special significance for Beethoven. Emotionally intense and stormy, C minor evoked the turbulence of an age of revolution. It embodied a sense of heroic struggle, which would form the bedrock of Romaticism. In Beethoven’s Piano Sonatas: A Short Companion, American pianist and musicologist Charles Rosen suggests that Beethoven’s C minor compositions are closely linked to the Romantic idea of the artist as hero: Beethoven in C minor …

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Shostakovich’s Tenth Symphony

It’s impossible to separate the music of Dmitri Shostakovich (1906-1975) from the horrors and repression of Soviet life under Stalin. In a brutal society glued together by coercive thought control, constant fear, and the execution of between eight and 20 million people, art had the capacity to articulate truths otherwise unspeakable. This made Shostakovich’s music dangerous, as this quote by the composer suggests: Music illuminates a person and provides him with his …

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Liszt’s Faust Symphony

Forget Elvis. Franz Liszt (1811-1886) was the world’s first rock star. As a virtuoso pianist, Liszt toured Europe performing flashy and dazzling compositions such as the famous Hungarian Rhapsody No. 2. Following in the footsteps of Niccolò Paganini, Liszt helped to usher in the age of the romantic superstar concert artist. An atmosphere of almost supernatural ecstasy surrounded Liszt’s concerts. The hysteria of his fans, which included reports of women fainting and collecting locks of …

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Remembering Claudio Abbado

Renowned Italian conductor Claudio Abbado passed away yesterday at the age of 80. You can read about his life here. The greatest conductors know exactly what they want the music to sound like. Through unwavering conviction, they inspire the musicians of the orchestra to share their vision. Great conductors don’t practice in front of a mirror to put on a show. Every gesture embodies the essence of the piece in an honest …

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“Hey Nick…Can We Go Home Now?”

That’s pretty much what Franz Joseph Haydn said to his employer, Prince Nikolaus Esterházy, except not in those words. Instead, Haydn found a clever musical way to get his point across. As this article explains, in the summer of 1772 Prince Esterházy decided to extend his vacation at his country palace. The court musicians in Haydn’s orchestra were missing their families back home. Haydn gave the prince a gentle musical nudge. The final movement …

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Tilting at Windmills

This week my orchestra, the Richmond Symphony, returns to work after a holiday hiatus with Richard Strauss’s tone poem, Don Quixote, Op. 35. Strauss wrote some of the most virtuosic and technically demanding orchestra repertoire and this program is a great way to get back into the swing of the season. Richard Strauss was a master of programatic tone poems, music inspired by a story. In Don Quixote, a series of variations depict …

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