Milhaud’s “Le Boeuf sur le Toit”: An Homage to Charlie Chaplin

Between 1919 and 1920, the French composer Darius Milhaud set out to create “fifteen minutes of music, rapid and gay, as a background to any Charlie Chaplin silent movie.” The result was Le Boeuf sur le toit, a jubilant and colorful work for chamber orchestra. The title translates as “The Ox on the Roof.” It may have been taken from the sign-board of a tavern. Or perhaps it was inspired by a …

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Ravel’s Piano Concerto in G Major: Lighthearted, Brilliant, and Bluesy

With the slap of a whip, Maurice Ravel’s Piano Concerto in G Major springs to life. Suddenly, a magically intricate machine is propelled into motion. With the solo piano in its twinkling highest register, a toy soldier march in the piccolo, delicate string pizzicati and harmonics, and the almost imperceptible whir of the snare drum, we are whisked into an enchanting world of innocence and imagination. In these glistening opening bars, we …

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Villa-Lobos’ “Ciranda das Sete Notas”: Brazilian Bassoon Bliss

The Ciranda is a traditional Brazilian children’s dance. In the ultimate expression of community, participants (including adults) join hands and engage in a round dance of moderate tempo. The Brazilian composer, Heitor Villa-Lobos (1887-1959), was serving his country as minister for national music education when, in 1933, he wrote Ciranda das sete notas (“Round Dance for Seven Notes”). A single movement concerto for bassoon and string orchestra, the piece explores the sunny …

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Remembering Thomas Stacy

Thomas Stacy, who served as the principal English horn player of the New York Philharmonic between 1972 and 2011, passed away on April 30. He was 84. A native of rural Arkansas, Stacy fell in love with the instrument at the age of 14. He was once hailed as “the Heifetz of the English horn.” Leonard Bernstein called him “a poet among craftsmen.” During his tenure with the New York Philharmonic, Stacy …

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Shostakovich’s String Quartet No. 3 in F Major: Haunting Ambiguities

Dmitri Shostakovich composed the String Quartet No. 3 in F Major in 1946 in the immediate aftermath of the Second World War. The previous year, his controversial Ninth Symphony shocked audiences and upset the Soviet authorities. It had not been the epic, monumental “victory” symphony everyone had been expecting. Instead, it was light, classical, seemingly frivolous music. Taken at face value, the Ninth Symphony delivered bright music filled with joie de vivre. …

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Vaughan Williams’ “Whither Must I Wander?”: Bryn Terfel

The twentieth century brought a revival of the English art song, which had fallen fallow after the death of Henry Purcell in 1695. (William M. Adams) Central to this revival was Ralph Vaughan Williams, a composer who drew inspiration frequently from England’s distant musical past. First published in the magazine, The Vocalist, in 1902, Whither Must I Wander? became part of Vaughan Williams’ Songs of Travel. The cycle of nine songs, originally written …

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William Walton’s First Symphony: Sensuous and Searing

Sir William Walton’s Symphony No. 1 in B-flat minor begins with a magical coalescing of elements. Voices awaken, and the Symphony springs to life with a sense of suddenness and inevitability. There is a hushed B-flat timpani roll, the warm sonic blur of three successive horn tones (B-flat, F, and G), a pulsating heartbeat in the violins, the plaintive song of the oboe, a response in the bassoon, and darting, descending lines …

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