A Charles Ives Fourth

Firecrackers, a cannon on the village green, an out-of-step band on Main Street, a fife and drum corps, church bells…All of this, and more, can be heard in Charles Ives’ 1912 tone poem, The Fourth of July, which forms the third movement of the “Holidays” Symphony. Ives imagined the larger-than-life festivities of a small New England town, as experienced by a child. But this music goes far deeper than the quaint Americana of Ives’ …

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Five Musical Fireworks

It’s ironic that Independence Day in America isn’t complete without Tchaikovsky’s most famous ode to Russian nationalism: the bombastic 1812 Overture, which was written to commemorate the defeat of Napoleon’s invading army. As we head into the July Fourth holiday weekend, here are five more pieces that bring fireworks to mind: Handel: Music for the Royal Fireworks In 1749, England’s King George II employed Handel to write music for a large, outdoor public celebration in …

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Befriending Mahler: Walter’s 1938 Vienna Recording of the Ninth Symphony

“He had the soul of a mystic.” This is how the legendary German conductor Bruno Walter (1876-1962) described Gustav Mahler in a 1950 pre-concert radio interview. The 18-year-old Walter was a rehearsal pianist and vocal coach at the Hamburg Opera when he first met Mahler, who served as the Opera’s chief conductor in the 1890s. Walter spent hours in wide-ranging conversations with Mahler (everything from Schopenhauer, Dostoyevsky and Nietzsche, to music). Later, Walter …

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Musica Celestis: Three Pieces Inspired by the Harmony of the Spheres

It formed the ancient intersection of music, art, architecture, astronomy, mathematics, and mysticism. Originally developed by Pythagoras, the concept of the Harmony of the Spheres linked the movements of celestial bodies with universal vibrations. The sun, moon, and planets were believed to produce their own unique hum as they revolved around the earth. “Tones” of energy, expressed through mathematical relationships, manifested themselves in shapes and sounds. This supreme cosmic order was expressed in …

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Composers on Holiday: Five Pieces Written on Summer Vacation

Summer is here. For professional orchestral musicians, that means a brief respite from the weekly routine of the main concert season. Soon it will be time for summer seasons and music festivals, many featuring outdoor concerts in such idyllic locations as Chautauqua, Vail, and the Tetons. Summer has typically been a productive time for composers. Gustav Mahler, one of the most prominent conductors of his time, retreated to isolated rural settings in …

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Roy Harris’ Symphonic Memorial to Gettysburg

Awakening, Conflict, Dedication, Affirmation…These are the subtitles of the four movements which make up American composer Roy Harris’ Symphony No. 6 “Gettysburg.” Written in 1944 during the height of the Second World War, the movements of Harris’ Symphony draw inspiration from the outline of Lincoln’s Gettysburg Address. They celebrate a mythic vision of American progress in which growing pains give way to the possible future realization of the nation’s loftiest ideals. There are programmatic elements in …

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Barber’s Adagio: Five Great Recordings

Samuel Barber’s Adagio for Strings, Op. 11 is one of those pieces that remind us of the eternal and mysterious communicative power of music. When we listen to Barber’s Adagio, we all know, intuitively, what the music is saying, even if we can’t put its message into words. For many listeners, the Adagio is filled with mournful lament. Collectively, we have turned to this music in times of national tragedy, from September 11 to …

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