John Williams

The Vocalise: Music of André Previn and John Williams

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Free of the literal meaning of a text, the wordless vocalise floats into a dreamy and surreal landscape. In André Previn’s Vocalise, the singer enters into a haunting musical conversation with the solo cello and the instrumental voices of the orchestra. Composed at Tanglewood on July 18, 1995 for Sylvia McNair and Yo Yo Ma, the work was originally scored for voice, cello, and piano, and was orchestrated later. Previn, the German-American pianist, …

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Remembering David Cripps, the Horn Player who Created Princess Leia

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David Cripps, the legendary British horn player, passed away last week following a battle with cancer. Cripps served as principal horn of the London Symphony Orchestra between 1974 and 1983. During that time, he performed and recorded under such conductors as André Previn and Claudio Abbado. Perhaps he will be remembered most for his original soundtrack performances of Princess Leia‘s Theme, and other horn solos throughout John Williams’ iconic film scores for Star Wars …

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John Williams’ “Close Encounters of the Third Kind”: A Cinematic Tone Poem

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John Williams’ haunting, ethereal score is integral to the drama of Steven Spielberg’s 1977 science fiction film, Close Encounters of the Third Kind. In fact, much of the score was written before filming began. In a reversal of the normal process, Spielberg set parts of the film to Williams’ music. The film blends mystery, terror, and childlike wonder. One of its dominant themes involves the human need to connect and find deeper meaning. It is the music …

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“Happy Birthday” Arranged by…Stravinsky and Copland?!

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Occasionally during an orchestra rehearsal, the oboe’s tuning note transforms into a surprise, impromptu rendition of Happy Birthday in celebration of a musician’s birthday. You can find clips of more organized examples for conductors David Robertson and Gustavo Dudamel. (In that last example, notice the distinctly Latin American flavor of the Simón Bolívar Symphony Orchestra’s rendition). Interestingly, a few great twentieth century composers put their stamp on Happy Birthday. Undoubtedly, these composers dashed off these lighthearted miniatures quickly and with …

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Five Pieces Inspired by the Olympics

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The Olympics are a wonderful metaphor for world cooperation, the kind of international competition that’s wholesome and healthy, an interplay between countries that represents the best in all of us.  -John Williams Music has served as a celebratory backdrop for the Olympics since the first modern games in Athens in 1896. As the 2016 Summer Olympic Games unfold in Rio, let’s listen to five pieces which form an Olympic soundtrack: Josef Suk: …

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The 2016 Oscars: Nominees for Best Original Score

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With the 88th Academy Awards ceremony coming up this Sunday, let’s finish the week with some film music. Here are this year’s nominees for “Best Original Score,” along with a few audio samples: “Carol” (Carter Burwell) This atmospheric score seems to pay homage to the musical language of Philip Glass. This passage contains all of the hallmarks of Glass’ vocabulary: a simple melody that grows out of repeating, undulating piano lines, triad-laden …

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Thoughts on John Williams’ New Star Wars Score

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I haven’t yet had the chance to see the new Star Wars movie, The Force Awakens, or to fully experience its richly symphonic score in the theater. A film score is designed to serve its movie. The music comes to life as part of a greater whole, a Gesamtkunstwerk (“total work of art”), to use Wagner’s term. Still, I haven’t been able to resist listening to excerpts from the score which, recently, have been floating around in an …

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