Stephen Sondheim’s Homage to Ravel

Artistically, a strong kinship exists between Stephen Sondheim and Maurice Ravel. In the music of Ravel, we often get a sense of cool detachment. Distance and irony open the door to the most intimate expression. Stravinsky alluded to the pristine craftsmanship of Ravel’s music when he called the composer “the most perfect of Swiss clockmakers.” As a student, Stephen Sondheim learned “that art is work and not inspiration, that invention comes with craft.” Perhaps …

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Sondheim’s “The Miller’s Son”: A Celebration of What Passes By

Stephen Sondheim turned 90 last Sunday. This year, as Broadway is scheduled to remain dark through April 12, it seems especially important to honor Sondheim’s vast and enduring contribution to American musical theater. Sondheim’s songs take us deep into the psychology of the character. Gradually, they reveal layers of meaning in a way similar to the puzzles that have been a source of lifelong fasciation for the composer and lyricist. One such song …

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Music For Midsummer’s Eve

Today is Midsummer’s Eve in Sweden. Held each year around the summer solstice, Midsummer festivities have roots in ancient pagan rituals. With countryside bonfires and maypole dances, Swedes and other Scandinavians mark the beginning of a brief period of warmth and extended daylight after many dark, cold months. This time of year, in northern Sweden the sun never sets, while in the south it sets for only an hour or two. Midsummer’s Eve in …

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Send in the Clowns

Recently, I ran across Rob Kapilow’s fascinating What Makes it Great analysis of Stephen Sondheim’s Send in the Clowns. Kapilow shows how elements of the song’s melody and harmony evoke a complex mix of emotions.  Written for the second act of A Little Night Music , which opened on Broadway in 1973, Send in the Clowns may be the ultimate anti-romantic ballad. It’s a song about the bitterness, disappointment and the regret of missed opportunity. In an interview, Sondheim offered this …

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