Music For Midsummer’s Eve

Today is Midsummer’s Eve in Sweden. Held each year around the summer solstice, Midsummer festivities have roots in ancient pagan rituals. With countryside bonfires and maypole dances, Swedes and other Scandinavians mark the beginning of a brief period of warmth and extended daylight after many dark, cold months. This time of year, in northern Sweden the sun never sets, while in the south it sets for only an hour or two.

Midsummer’s Eve in Sweden around 1900 is the setting for Stephen Sondheim’s shimmering 1973 operetta, A Little Night Music. The Chekhovian story based on Ingmar Bergman’s 1955 film, Smiles of a Summer Night, centers around hopelessly mismatched lovers. Only after a lot of foolishness do their webs become untangled at the end of the second act, which contains the famous song, Send in the Clowns. Patterns of three emerge throughout A Little Night Music, including three smiles of the summer night:

The first smile smiles at the young, who know nothing. The second, at the fools who know too little…. And the third at the old who know too much.

Sondheim’s score is set in waltzing 3/4 time, or in divisions of three. A vocal quintet functions as a kind of Greek chorus. As the curtain rises, their vocal “warmups” set the stage for a sung overture and the Night Waltz:

The lushly swirling Night Waltz returns throughout A Little Night Music, giving us a sense of the magic unfolding under a sun which sits, perpetually, low on the horizon, but never sets. There’s an incredible moment at the end of the second act’s Finale when the world of human interactions dissolves back into the eternal backdrop of nature and the night.

Sir Michael Tippett’s 1953 three act opera, The Midsummer Marriage sets up a similar conflict between human folly and the dreamy, magical world of nature. Here are the Ritual Dances from The Midsummer Marriage:

Of course, nowhere are these themes more present than in Shakespeare’s A Midsummer Night’s Dream. Mendelssohn’s Overture pulls us into a glistening world of magic and mischief, ultimately fading into the serenity of the night forest:


  • Sondheim: A Little Night Music, Original Broadway Cast Album iTunes
  • Tippett: Ritual Dances from The Midsummer Marriage, English Northern Philharmonia, Sir Michael Tippet iTunes
  • Mendelssohn: A Midsummer Night’s Dream, London Symphony Orchestra, Claudio Abbado iTunes

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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