Remembering Christoph von Dohnányi

Christoph von Dohnányi, the German conductor and longtime music director of the Cleveland Orchestra, passed away last Saturday, September 6, two days shy of his 96th birthday. Dohnányi was born in Berlin into a high profile family.  His grandfather was Ernst von Dohnányi, a Hungarian composer and pianist. His uncle was the Lutheran theologian Dietrich Bonhoeffer. In 1945, when Dohnányi was 15 years old, his father and uncle were sent to a …

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Dvořák’s “The Noon Witch”: A Slavic Horror Story Told Through Music

In Slavic mythology, Polednice, the Noon Witch, is a demonic figure who is known to emerge in the middle of the hottest summer days, causing farmers working in the fields to suffer heatstroke or insanity. The poem, Polednice, by the Czech folklorist, Karel Jaromír Erben (1811-1870), tells the story of a mother who, while preparing lunch, is desperate to quiet a young child who screams for attention. She warns her son that …

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Dvořák’s Piano Trio No. 3 in F Minor: Reaching a Creative Pinnacle

Antonín Dvořák had weathered personal tragedy and intense inner conflict when, in 1883, he composed the Piano Trio No. 3 in F minor, Op. 65. Dvořák began work on the Trio six months after the death of his mother, with whom he had been especially close. The premature loss of three of his young children was still a fresh memory. As a composer, Dvořák, who enjoyed the support of Johannes Brahms, was …

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“Songs My Mother Taught Me”: From Dvořák to Ives

Songs My Mother Taught Me is the fourth and most famous of Antonín Dvořák’s seven-song cycle, Gypsy Songs, Op. 55. Composed in 1880 at the request of the Viennese tenor, Gustav Walter, the texts are from a collection of poems by Adolf Heyduk. Songs My Mother Taught Me highlights the timelessness of music, and enduring truths, passed lovingly through generations: Songs my mother taught me in the days long vanished, Seldom from her eyelids were …

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Dvořák’s String Quartet No. 12 in F Major: The “American”

During the summer of 1893, Antonín Dvořák took his habitual morning walks, not through the meadows of his native Bohemia, but into the vast, rolling prairie of northeastern Iowa. It was here, in the small Czech immigrant enclave of Spillville, that Dvořák completed the “New World” Symphony, and then, in just over two weeks, wrote his String Quartet No. 12 in F Major, Op. 96. Having relocated from Prague the previous September …

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Dvořák’s Carnival Overture: A Vibrant Celebration of Life

In 1892, Antonín Dvořák composed three concert overtures (In Nature’s Realm, Carnival, and Othello) inspired by poetic visions of “Nature, Life, and Love.” After examining the composer’s notes, the biographer, Otakar Šourek, wrote, Dvořák wished in this cycle to draw in overture-form musical pictures of three of the most powerful impressions to which the human soul is subjected: the impression of the solitary, wrapped about by the exalted stillness of the summer night; …

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Dvořák’s “Rusalka”: Four Key Excerpts

First performed on March 31, 1901 in Prague, Antonín Dvořák’s enduring fairytale opera in three acts, Rusalka, Op. 114, blends Slavic mythology with the story of Hans Christian Andersen’s The Little Mermaid . Rusalka is a water nymph who falls in love with a human—a Prince who happens one day to swim in her lake. She tells her father, the water goblin, that she wishes to become human to be with the …

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