Remembering Leon Bates

American pianist Leon Bates has passed away at the age of 76. Born in Philadelphia, Bates became drawn to the piano at the age of 6 after his kindergarten teacher played for the class. Initially excelling at both violin and piano, he studied at the Settlement Music School, and later at Temple University. Bates went on to appear on the world’s most prestigious stages. Bates was a bodybuilder, a discipline which he …

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Gershwin’s “Catfish Row”: A Symphonic Suite on “Porgy and Bess”

Set in the Catfish Row tenement of sultry 1920s Charleston, George Gershwin’s opera, Porgy and Bess, tells the story of a tumultuous love triangle poised between darkness and redemption. Abandoned by her violent, drug-dealing lover, Crown, Bess turns to the caring, disabled beggar, Porgy, for support. Their newfound happiness is cut short when Crown abruptly returns. The stormy human drama is underscored by an approaching hurricane. Vowing to protect Bess, Porgy kills Crown …

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Gershwin’s “An American in Paris”: A “Rhapsodic Ballet” Born in the Jazz Age

In the spring of 1928, George and Ira Gershwin traveled to Europe for a three-month sojourn. The brothers, among the most celebrated composer-lyricist teams on Broadway, had just finished work on the musical, Rosalie, produced by Florenz Ziegfeld, and they relished the time off. It was during this trip that George Gershwin set to work on a commission he had received from the New York Philharmonic. The result was the vividly evocative …

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Gershwin’s “Someone to Watch Over Me”: From Jazzy Scherzo to Ballad

Among the timeless and unforgettable melodies of George Gershwin is Someone to Watch Over Me. The song was composed in 1926 for the musical, Oh, Kay!, where it was performed by Gertrude Lawrence, who sang it as a lonely, impassioned soliloquy to a rag doll. Although the lyrics were written primarily by Ira Gershwin, Howard Dietz assisted while the former was hospitalized for six weeks as a result of a ruptured appendix. …

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André Watts Plays Gershwin: “The Man I Love,” “That Certain Feeling”

On a Sunday afternoon recital at New York’s Avery Fisher Hall in 1976, the late André Watts placed the piano music of Gershwin and Schubert side by side. A reviewer at the time noted that it was the habit of both composers, when at parties, to take a seat at the piano and dazzle attendees with their most recent music. The music of George Gershwin remained a staple of Watts’ repertoire. An …

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Gershwin’s Lullaby: A Tender and Enduring Harmony Exercise

The 21-year-old George Gershwin composed the Lullaby for String Quartet in 1919 as a harmony exercise for his teacher, Edward Kilenyi. The effortless melody was so remarkable that it circulated among Gershwin’s friends and was performed frequently at gatherings. Gershwin later reused the melody in his 1922 one-act “jazz opera,” Blue Monday, for the aria, “Has one of you seen my Joe?” Lullaby begins with the ethereal tones of the first violin’s …

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Adventures in Fourths: Music of Debussy, Bartók, and Gershwin

The Greek name for the interval of the perfect fourth was diatessaron. Translating as “across four,” it is a word which brings to mind Pythagorean harmonic ratios. Wide open sonorities that suggest neither major nor minor, perfect fourths and fifths became prevalent in the early medieval polyphony of composers such as Léonin and Pérotin. In the piano pieces below, we hear twentieth century composers exploiting the perfect fourth for purely expressive reasons. Here are three …

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