Remembering Tony Bennett

Tony Bennett, the American jazz singer, passed away late last week. He was 96, just two days shy of his birthday. A devotee to the Great American Songbook, Bennett was, perhaps, the last exponent of the mid-twentieth century crooner style  of singing. Among his signature songs was, I Left My Heart in San Francisco. As styles changed with the rise of rock and roll, Bennett launched a spectacular comeback in the 1980s, …

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Jule Styne’s “I Fall in Love Too Easily,” The Keith Jarrett Trio

Today marks the 116th anniversary of the birth of the great American songwriter, Jule Styne (1905-1994). Born in London, Styne grew up in Chicago, the son of Jewish Ukrainian immigrants. He was a child prodigy pianist, performing with the orchestras of Chicago and Detroit before age ten. Later, he played jazz, withdrawing from the concert stage because of the limitations of his small hands. He created the scores for some of the Broadway theater’s …

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Five Great Songs by Jule Styne

A Happy New Year to all the loyal readers and subscribers of The Listeners’ Club! As 2018 draws to a close, I want to thank you for returning to this blog three times a week throughout the year, contributing to the discussion with your comments, and sharing posts with your friends. Here’s to a music-filled 2019! Today marks the 113th anniversary of the birth of the great American songwriter, Jule Styne (1905-1994). Born in London, …

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“Hallelujah, Baby!”: African-American Civil Rights on Broadway in 1967

In celebration of Martin Luther King Jr. Day, here are two excerpts from Hallelujah, Baby!, a 1967 Broadway musical which has been described as “a chronicle of the struggle for equality during the [first half of the] 20th century.” The plot of Hallelujah Baby! centers around Georgina, a talented, young African-American woman who is determined to develop a career in show business despite her mother’s advice that she “keep her place” as a maid on a South Carolina estate. …

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Cheapening Broadway

Ticket prices and the profits generated by Broadway shows continue to soar but how does the experience compare with what audiences were getting fifty years ago? This question came to mind after a recent conversation I had with a student, following her attendance of Troika Entertainment’s touring production of West Side Story. Initially excited to see a live performance of one of her favorite shows, my student was quickly distracted and disheartened by the empty, …

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