Howard Hanson and the Sounds of the Wide Open Prairie
More than any other composer, Aaron Copland is credited with establishing the virtual soundtrack of the American West. Listening to Copland ballet scores such as Rodeo and Billy the Kid, or his music for the film The Red Pony, instantly evokes images of wide open prairie spaces and the rough and tumble adventure of a mythical frontier. These associations have been re-enforced by countless film scores which generously borrowed Copland’s sound (the opening of Elmer Bernstein’s score for The …