The Rise of Simone Dinnerstein

Rising to the top of the classical music world requires a combination of talent, hard work, determination, and luck. In 2007, American pianist Simone Dinnerstein’s career was “launched into the stratosphere” with the release of her self-financed recording of J.S. Bach’s Goldberg Variations and an appearance at Carnegie Hall’s Weill Recital Hall. The recording quickly soared to the top of the Amazon classical chart and more disks followed. This CBS Sunday Morning story profiles Dinnerstein’s miraculously …

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Merry Mount at Carnegie

Last Wednesday the Rochester Philharmonic Orchestra presented an outstanding concert performance of Howard Hanson’s opera, Merry Mount at Carnegie Hall as part of the Spring For Music festival. In a previous post I provided some background on Hanson and the opera, which had not been heard in New York since its Metropolitan Opera premiere in 1934. If you missed the performance and the live radio broadcast, you can listen to it here. Read reviews of the performance …

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The Sonic Landscapes of John Luther Adams

Become Ocean by John Luther Adams (b. 1953) has won the 2014 Pulitzer Prize for music. The large-scale work for orchestra was commissioned by the Seattle Symphony. Music critic Alex Ross attended the premier last June in Seattle. In Listen to This, Ross visits the composer’s home in Alaska. The remote Alaskan wilderness seems to be a strong influence in Adams’s music. Music Director Ludovic Morlot and the Seattle Symphony will perform Become Ocean in New York at Carnegie Hall on May 6 as part of the Spring …

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The Last Rose of Summer

It’s hard to believe but Labor Day weekend is here, marking the official end of summer. Leaves are beginning to change color. The days are getting shorter and a chill is creeping into the night air, reminding us of the inevitability of what’s around the corner. Let’s bid summer a fond farewell by listening to one of the most technically demanding pieces ever written for the violin, Variations on “The Last Rose of …

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