Romeo and Juliet

Tchaikovsky’s “Romeo and Juliet”: Overture-Fantasy After Shakespeare

by

Perhaps as a result of his turbulent personal struggles, Pyotr Ilyich Tchaikovsky was drawn to stories of doomed love. It is a theme which runs through the Pushkin-inspired operas, Eugene Onegin and The Queen of Spades, the ballet Swan Lake, the Manfred Symphony, and the hellish Dante-inspired tone poem, Francesca da Rimini. Predating all of these works was the Overture-Fantasy on Shakespeare’s Romeo and Juliet, composed in 1869 by the 29-year-old Tchaikovsky. The …

Read more

David Oistrakh Plays a Prokofiev Transcription: “Death of Juliet”

by

Sergei Prokofiev’s 1935 ballet, Romeo and Juliet, Op. 64, is scored for an immense orchestra. As the tragic story unfolds, youthful innocence, foreboding, darkness, and shimmering light all emerge on a vast canvas set with rich tonal colors. In this violin and piano arrangement, made by the Soviet-Russian violist, Vadim Borisovsky (1900-1972), all of this drama is condensed into two voices. The music comes from the ballet’s final scene, Death of Juliet. In …

Read more

Prokofiev’s “Romeo and Juliet”: From Ballet Score to Concert Suite

by

Character lies at the heart of Sergei Prokofiev’s 1935 ballet score, Romeo and Juliet, Op. 64. In the opening bars, the alternating forces of darkness and light become metaphysical “characters.” Demonic dissonances in the brass roar and subside, revealing an angelic string “choir” which seems to have been present all along. It is this battle between the baseness of the world and transcendent higher powers which underlies Shakespeare’s story. A heavy, groaning …

Read more

Berlioz’ “Roméo et Juliette”: Scène d’amour

by

In 1827, Hector Berlioz witnessed a performance of Shakespeare’s Romeo and Juliet at Paris’ Odéon Theatre. The cast included Harriet Smithson, the Irish actress who became Berlioz’ first wife and creative muse, as well as the inspiration behind Symphonie fantastique. Shakespeare’s tragedy had a visceral effect on the composer, who did not understand English but was affected by the pure sound of the poetry and the power of the acting. In his Memoirs he wrote, …

Read more

Eight of Prokofiev’s Quirkiest Ballet Melodies

by

Last week, the Richmond Symphony returned to the orchestra pit for five performances of Sergei Prokofiev’s shimmering and comic 1944 ballet, Cinderella. Bringing off Prokofiev’s music, both technically and musically, often feels like solving a puzzle. Hovering somewhere between austere twentieth century Neoclassicism and moments of sudden lush Romanticism, this music is always keeping us off guard. We never know exactly how to take it. It is simultaneously humorous and sarcastic, cool and calculating (like …

Read more

Yannick Nézet-Séguin Heads to the Met

by

Last week, it was announced that the 41-year-old Canadian conductor, Yannick Nézet-Séguin, will succeed James Levine as music director of the Metropolitan Opera. The jet set Nézet-Séguin is currently music director of the Philadelphia Orchestra and Montreal’s Orchestre Métropolitain. In 2018, he will complete his tenure as principal conductor of the Rotterdam Philharmonic Orchestra. Yannick Nézet-Séguin has brought innovative programming to Philadelphia. Last season, he premiered One Land, One River, One People, a work by American jazz …

Read more

Valentine’s Day with Mandolins

by

  My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite. -William Shakespeare, Romeo and Juliet In celebration of Valentine’s Day, here is the quirky Dance with Mandolins from Act II of Sergei Prokofiev’s 1935 ballet score, Romeo and Juliet, Op. 64. Given this ballet’s multitude of powerful, dramatic music, this excerpt may seem slightly off the beaten path. But …

Read more