Prokofiev’s Sinfonia Concertante: A Grand Hybrid for Cello and Orchestra

The Sinfonia Concertante, Op. 125 (or Symphony-Concerto for Cello and Orchestra, as it is also known), was among the last orchestral works composed by Sergei Prokofiev. The dramatic, spirited musical hybrid was conceived at a time when Prokofiev faced declining health and professional adversity. In 1948, he was censured, along with other prominent composers, by the Central Committee of the Communist Party for writing music “marked with formalist perversions…alien to the Soviet …

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Mozart’s Sinfonia Concertante for Violin, Viola, and Orchestra: A Sublime Hybrid

Listen to the instrumental music of Mozart, and you may hear the unfolding of a virtual opera without words. Transcending mere vocal virtuosity, Mozart’s greatest operas offer layers of character development and dramatic sophistication. The instrumental lines of the orchestra rise to new prominence and engage with the voices onstage to create a magically enhanced drama. The literal reality of the story meets a deeper poetic reality. Boundaries are blurred and musical …

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Mozart’s Wordless Operas

Listening to Mozart’s symphonies, concertos and chamber music, you might get the sense that you’re hearing wordless operas. Even without a libretto, we can sense distinct characters, musical conversations and dramatic situations unfolding in the music. It’s as if the innovative and prolific composer of The Marriage of Figaro, Don Giovanni, and The Magic Flute couldn’t shut off the flood of opera arias and duets entering his mind. As a musician I have found that approaching …

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