Vaughan Williams’ Pastoral Symphony: Nature’s Lament

  With a title like A Pastoral Symphony, you might expect Ralph Vaughan Williams’ Third Symphony, completed in 1922, to evoke bubbling brooks and the quiet hedgerows of England’s “green and pleasant land.” But listen, and you’ll hear music which, instead, suggests a melancholy alienation from nature. The music feels strangely hazy and shell-shocked. Its pastures are the battlefields of the First World War, not the bucolic scenes of Beethoven’s Sixth Symphony or a Schubert …

Read moreVaughan Williams’ Pastoral Symphony: Nature’s Lament

Beethoven’s “Eroica”, Part 2

Monday’s post featured the first movement of Beethoven’s revolutionary Symphony No. 3 in E-flat major (“Eroica”) Op. 55. This music, which helped plant the seeds of Romanticism, introduced shocking new sounds and an expansive, heroic form. Let’s continue and listen to the other three movements: [typography font=”Cantarell” size=”28″ size_format=”px”]Marcia funebre. Adagio assai[/typography] Beethoven’s second movement is a solemn funeral march. Paying attention to the rhythm, consider what aspects of the music suggest a …

Read moreBeethoven’s “Eroica”, Part 2

Beethoven’s “Eroica”, Part 1

Revolutionary, exhilarating, ferocious, heroic…these are all words which could describe Beethoven’s Symphony No. 3 in E-flat major (“Eroica”) Op. 55. The “Eroica” stretches the elegant Classicism of Mozart and Haydn to its breaking point and plants the seeds of Romanticism. This is music of Revolution (the French and American) and the ideals of the common man. The dawn of Romanticism brought profound changes. The stately private palace gave way to the public concert …

Read moreBeethoven’s “Eroica”, Part 1

Send this to a friend