Wagner’s “Tristan und Isolde”: Prelude and Liebestod

Culturally and aesthetically, Richard Wagner’s Tristan und Isolde was a game changer. From the moment the opera premiered at Munich’s National Theatre on June 10, 1865 (155 years ago this week), it elicited fervent and wildly conflicting reactions. Friedrich Nietzsche described “a lasting sense of ecstasy,” and proclaimed the work to be “the real opus metaphysicum of all art…[inspiring] insatiable and sweet craving for the secrets of night and death…it is overpowering in its …

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Night Traffic

There is a significant update to Monday’s post regarding the Hartford Wagner Festival’s plans to use a “virtual orchestra” in performances of the Ring Cycle. On Monday afternoon the Festival announced that performances would be postponed due to the controversy, which resulted in resignations of key members of the company. Although it was not mentioned in the released statement, an apparent lack of financial support may also have played a role. A Kickstarter campaign, initiated on May 30 …

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