Vivaldi

Vivaldi’s Concerto for Two Cellos in G Minor: Tafelmusik Baroque Orchestra

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The Concerto for Two Cellos in G minor, RV 531 is one of Antonio Vivaldi’s most intensely dramatic and convention-defying works. Out of the composer’s nearly 500 surviving concerti (30 of which feature the cello), it is the only “double” concerto for the instrument. The first movement begins not with the standard tutti ritornello but with the two solo instruments taking center stage with a vigorous conversation in thirds. Immediately, we are …

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Remembering Jeanne Lamon

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Jeanne Lamon, the American-Canadian violinist and early music specialist, passed away on June 20 following a brief battle with cancer. She was 71. Lamon was music director of the Toronto-based Tafelmusik Baroque Orchestra from 1981 to 2014. In a recent statement, the ensemble credits Lamon with establishing Tafelmusik’s “enviable reputation as ‘one of the world’s top baroque orchestras’ (Gramophone), growing from its modest beginnings to the cutting-edge period ensemble it is today under …

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Vivaldi and Piazzolla: Two Visions of Summer

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Antonio Vivaldi’s collection of violin concerti, The Four Seasons, composed between 1718 and 1720, remains some of the most famous, virtuosic, and evocative music ever written. Concerto No. 2 in G minor “Summer” begins under a burning summer sun. The opening bars suggest an oppressive, sultry haze. As the music unfolds, nature comes alive with the song of the cuckoo, turtledove, and finch. The sounds of a shepherd herald the approach of a storm. …

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Vivaldi’s Violin Concerto in G Minor, RV 317: Julien Chauvin and Le Concert de la Loge

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If you have forgotten how exciting the music of Antonio Vivaldi (1678-1741) can be, take a moment and listen to this concert performance of the Violin Concerto in G minor, RV 317, featuring French violinist Julien Chauvin and Le Concert de la Loge. As this clip demonstrates, brilliant, crackling virtuosity and searing drama lie at the heart of Vivaldi’s music. In addition to composing more than five hundred concertos, ninety solo sonatas, and dozens …

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A Vivaldi Snapshot

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Let’s finish the week with a brief but alluring musical snapshot. This is the beautiful second movement (Andante) from Vivaldi’s Concerto for Strings in F Major, RV 136, completed around 1730. It’s an excerpt from Vivaldi: Arie ritrovate, a 2008 album I featured in last Friday’s post. Violinist Stefano Montanari joins the Ravenna-based baroque orchestra, Accademia Bizantina, led by Ottavio Dantone. I love the way this music draws us in with a sense of majestic, flowing, inevitability. Its roving bass line …

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Picking up the Pieces of Vivaldi’s “Scanderbeg”

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Rewind to the evening of June 22, 1718… Today marks the 300th anniversary of the re-opening of Florence’s Teatro della Pergola (pictured above). Still in use today, Italy’s oldest opera house saw the Italian premieres of most of Mozart’s operas,  Donizetti’s Parisina and Rosmonda d’Inghilterra, Verdi’s Macbeth, and Mascagni’s I Rantzau. Before opening to the public in 1718, the building was used as a court theater of the Grand Dukes of Tuscany. The Teatro …

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New Release: Vivaldi’s “The Four Seasons,” Rachel Podger and Brecon Baroque

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English violinist, conductor, and Baroque specialist Rachel Podger has released an invigorating new recording of Vivaldi’s The Four Seasons in collaboration with Brecon Baroque, an ensemble she founded in 2007. This collection of concertos, published in 1725, is so familiar to us today that it’s easy to forget how bold, innovative, and virtuosic this music must have seemed to its first audiences. Accompanied by sonnets, also written by Vivaldi, these works stand as some …

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