Prokofiev’s Russian Overture: A Joyous Homecoming

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Even as Stalin’s purges intensified, a homesick Sergei Prokofiev returned permanently to the USSR in 1936. In 1918, he fled Russia, living in the United States and then in Paris. He was lured back with promises of artistic freedom and the ability to travel abroad, both of which ultimately were restricted by Soviet authorities. Composed in 1936, and premiered the same year by conductor Eugen Szenkar and the Moscow State Philharmonic, Russian …

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Mozart’s Quintet for Piano and Winds: A Drama of Conversing Voices

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In Mozart’s later piano concertos (Nos. 14-27), written for Vienna, the woodwinds step out from the shadows. Previously relegated to accompanying lines which often doubled the strings, the clarinet, flute, oboe, and bassoon now engaged in direct conversation with the solo piano. As with operatic characters, the persona of each voice came into focus. The same magic can be heard in Mozart’s Quintet for Piano and Winds in E-flat Major, K. 452. …

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Bach’s “Osanna in Excelsis”: Celebrating a Milestone at The Listeners’ Club

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We begin the year by celebrating a milestone at The Listeners’ Club. This is our 2,000th post. I have enjoyed exploring all of this music with you during these years, and I look forward to continuing the journey. For today, I have selected the brief and festive Osanna in excelsis (“Hosanna in the highest”) which opens the fourth section of Bach’s Mass in B minor, BWV 232. Set in 3/8 time, its lively forward …

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“God Bless the Child”: Keith Jarrett Trio

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Jazz standards, music from the great American songbook, had fallen out of fashion when, in 1983, the Keith Jarrett Trio recorded Standards, Vol. 1. The album’s final track is God Bless the Child, a 1939 song by Billie Holiday and Arthur Herzog Jr. Jarrett’s God Bless the Child blends elements of jazz, rock, gospel, and minimalism. It unfolds over a long, continuous cool groove. Pianist Keith Jarrett is joined by bassist Gary Peacock and drummer Jack …

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Remembering Gary Graffman

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Gary Graffman, a renowned American pianist, teacher, and administrator, passed away last Saturday, December 27, at his Manhattan home. He was 97. A child prodigy, Graffman entered the Curtis Institute of Music at the age of 7, and studied with Isabelle Vengerova. In 1946, he made his professional debut, appearing with conductor Eugene Ormandy and the Philadelphia Orchestra. After winning the prestigious Leventritt Competition in 1949, he studied extensively with Vladimir Horowitz …

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John Adams’ “El Niño”: “A Palm Tree”

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By coincidence, a recent post exploring John Adams’ El Niño was published on the 25th anniversary of the work’s premiere in Paris on December 15, 2000. Now, let’s return to El Niño to hear the nativity oratorio’s surreal final moments. In the drama, Mary, Joseph, and the infant Jesus are on the road to Egypt. They flee the persecution of King Herod, who has decreed that the child be killed. A setting of a poem …

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Bells of Florence

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Merry Christmas! Every year at this time we honor the memory of the great German-American musicologist, Karl Haas, host of the nationally syndicated radio program, Adventures in Good Music. Airing between 1970 and 2007, it was radio’s most widely listened-to classical music program. Following the show’s theme music, the second movement of Beethoven’s “Pathétique” Sonata, Haas would utter his trademark greeting, “Hello everyone.” One of the most popular episodes, The Story of the Bells, aired …

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