Bach’s Prelude and Fugue in C-Sharp Minor, BWV 849: “Holy of Holies”

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The 19th century commentator, Hugo Riemann, described Bach’s Prelude and Fugue in C-sharp minor, BWV 849 as the “holy of holies.” The phrase, found in the Hebrew Bible, refers to the inner sanctuary of the Tabernacle, where the Shekhinah (God’s presence) appeared. The fourth piece from Book 1 of Bach’s Well-Tempered Clavier, BWV 849 is solemn, meditative music filled with wrenching melancholy. The Prelude is a loure, a French Baroque dance which resembles …

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Remembering Per Nørgård

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Per Nørgård, who was widely regarded as the most prominent Danish composer since Nielsen, passed away last Wednesday, May 28 in Copenhagen. He was 92. Nørgård left behind a catalogue of music which includes eight symphonies, six operas, and numerous chamber and concertante works. He said that his music resides within “the universe of the Nordic mind.” In his youth, he corresponded with Jean Sibelius. Beginning in the 1960s, Nørgård developed a …

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Copland’s Piano Variations/Orchestral Variations: Unrelentingly Organic

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Unlike the traditional “theme and variations,” Aaron Copland’s Piano Variations do not unfold as a frolicking and far-reaching episodic journey. Instead, they are unrelenting, declamatory, and haunting. The seven-note theme, equally reminiscent of Arnold Schoenberg’s tone rows and Bach’s C-sharp minor Fugue from Book 1 of the Well-Tempered Clavier (BWV 849), permeates the entire work in a way which makes it feel severely organic. While Beethoven and Schubert improvised variations on a theme as a …

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Ives’ “Tom Sails Away”: Childhood Memories from Wartime

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In 1917, Charles Ives composed a series of songs in response to the entrance of the United States, that year, into the First World War. The final song, Tom Sails Away, involves a dreamy childhood memory, experienced as a vivid hallucination. The text, written by Ives, begins with images of a springtime sunset over a New England mill town. The hustle and bustle of the day has faded. The final haunting moments …

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Charles Strouse Performs “Once Upon a Time”

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In 1962, following the success of Bye Bye Birdie, composer Charles Strouse and lyricist Lee Adams teamed up with book writer Mel Brooks (largely unknown at the time) to create a new Broadway musical called All American. The show, which starred Ray Bolger, closed after 80 performances, and quickly faded from memory. But one song endured and became a standard, performed by the likes of Frank Sinatra, Perry Como, Tony Bennett, and …

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David Oistrakh in Recital

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Warmth, sincerity, and nobility are words which have been used to describe the artistry of the Soviet Russian violinist, David Oistrakh (1908-1974). My teacher, Oleh Krysa, who was a student of Oistrakh, commented that “In his playing there had never been any pointedness of expression or surgery sentimentalism, there had never been a trace of affectation aimed at winning over the public.” (The Way They Play, Book 14) Instead, Krysa found that …

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Remembering Charles Strouse

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Charles Strouse, the American composer of such Broadway musicals as Bye Bye Birdie (1960), Applause (1970), and Annie (1977), passed away last Thursday, May 15, at his home in Manhattan. He was 96. A graduate of the Eastman School of Music, Strouse studied composition with Arthur Berger, David Diamond, Aaron Copland, and Nadia Boulanger. It was Boulanger who urged Strouse to cultivate his talent as a composer for the musical theater. At …

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