Handel’s “Esther,” “Tune Your Harps”: Cheerful Pizzicato Strains

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Handel’s 1732 oratorio, Esther, tells the story of a Jewish orphan who becomes Queen of Persia. When the villainous Haman becomes enraged by a personal slight and, in retaliation, orders the extermination of all Jews throughout the Persian Empire, Esther saves her people from massacre. The work originated in 1718 as a semi-staged masque, performed for the Duke of Chandos, who employed Handel as resident composer for two years. Later, Handel expanded it …

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Rachmaninov’s Second Piano Concerto: A Musical Affirmation

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For three years, following the disastrous premiere of his First Symphony, Sergei Rachmaninov was unable to compose. “I believed I had opened up entirely new paths,” Rachmaninov later recalled. At the work’s premiere in St. Petersburg on March 28, 1897, the 23-year-old composer hid in a backstage fire escape with his ears plugged as a possibly drunk Alexander Glazunov led the underrehearsed orchestra through a passionless reading. The audience reacted with catcalls, …

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Rimsky-Korsakov’s “Capriccio Espagnol”: Color, Atmosphere, and Virtuosity

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Completed in 1887, Nikolai Rimsky-Korsakov’s Capriccio espagnol, Op. 34 is a dazzling kaleidoscope of orchestral color, atmosphere, and instrumental virtuosity. It is the work of a self-trained composer, who became one the the greatest innovators of orchestration. As a teacher, Rimsky-Korsakov led the St. Petersburg Conservatory. His influence on Russian music extended to his students, who included Stravinsky, Prokofiev, and Respighi. In Italian, “capriccio” means “whim.” Based on Spanish folk songs and dances, …

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Remembering Steve Davislim

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Steve Davislim, the renowned operatic tenor, passed away “after a prolonged illness” last Sunday, August 11. He was 57. Born in Malaysia to a Chinese father and Irish mother, Davislim moved with his family to Australia shortly after birth. In later years, he settled in Vienna, Austria. In a statement, Davislim’s manager wrote, Steve was a man of great humanity and keen intellect who possessed a voice of rare beauty and facility. …

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Guillaume de Machaut: Time-Altering Music from the Fourteenth Century

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In Quartet for the End of Time, and in subsequent works, the French 20th century composer, Olivier Messiaen, sought to capture the “eternity of space and time.” According to the composer, the mystical endeavor resulted in bar line defying polyrhythmic structures which unfold independently of harmony and melody, “in the manner of Guillaume de Machaut [c.1300–1377], whose work I did not know at the time.” A leading figure in the 14th century ars …

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Messiaen’s Quartet for the End of Time: Visions of Eternity

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One of the 20th century’s most mystical and transcendent works was created in a frigid, overcrowded German prisoner-of-war camp during the gloomy second winter of World War II. It was not his captivity, nor premonitions of a coming fiery apocalypse that inspired Olivier Messiaen (1908-1992) to compose the provocatively titled Quartet for the End of Time (“Quatuor pour la fin du temps”), but serene spiritual visions of the “eternity of space and …

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Michael Torke’s “Bloom 2, Morning”: Music for Percussion Ensemble

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Bloom, the newest album by American composer Michael Torke (b. 1961),  will be released on August 30. The eleven movement work was written for, and recorded by, Sandbox Percussion. With an exuberant, infectious rhythmic groove, Bloom develops over three musical “days,” with movements titled “morning, noon, night.” With repeating patterns, it rides the visceral pulse of the contemporary dance floor. In his program note, the composer writes, BLOOM uses interlocking rhythms which, when …

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