Mahler for the First Day of Spring

Spring won’t let me stay in this house any longer! I must get out and breathe the air deeply again.

-Gustav Mahler

Spring seems to erupt with a raucous fervor from the first notes of Gustav Mahler’s Der Trunkene Im Früling (“The Drunken Man in Spring”). The song is part of Das Lied von der Erde (“The Song of the Earth”), Mahler’s combination symphony and song cycle, completed in 1909. The text comes from Die chinesische Flöte, a collection of ancient Chinese poetry translated into German by Hans Bethge.

Listen to the way the orchestra comes alive, evoking a sonic cast of characters and personas which converse with the human voice:

I was recently reminded that Mahler inscribed the opening of the First Symphony with the words, “as if spoken by nature.” Here is an interesting excerpt from one of Mahler’s letters:

That Nature embraces everything that is at once awesome, magnificent, and lovable, nobody seems to grasp. It seems so strange to me that most people, when they mention the word Nature in connection with art, imply only flowers, birds, the fragrance of the woods, etc. No one seems to think of the mighty underlying mystery, the god Dionysus, the great Pan; and just that mystery is the burden of my phrase, Wie Ein Naturlaut (“As if spoken by nature”). That, if anything, is my program, or the secret of my composition…My music is always the voice of Nature sounding in tone, an idea in reality synonymous with the concept so aptly described by von Bülow as ‘the symphonic problem.’ The validity of any other sort of ‘program’ I do not recognize, at any rate, not for my work. If I have now and then affixed titles to some movements of my symphonies I intended them only to assist the listener along some general path of fruitful reaction. But if the clarity of the impression I desire to create seems impossible of attainment without the aid of an actual text, I do not hesitate to use the human voice in my symphonies; for music and poetry together are a combination capable of realizing the most mystic conception. Through them the world, Nature as a whole, is released from its profound silence and opens its lips in song.

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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