New Release: The Emerson’s “Chaconnes and Fantasias: Music of Britten and Purcell”

The Emerson String Quartet’s newest album spans three hundred years of English music. Chaconnes and Fantasias: Music of Britten and Purcell balances twentieth century composer Benjamin Britten’s Second and Third String Quartets with Chaconnes and Fantasias by baroque composer Henry Purcell (1659-1695). This year marks the Emerson Quartet’s 40th anniversary. This latest recording is the first to included British cellist Paul Watkins, who joined the group in 2013.

The Emerson Quartet approaches Purcell’s Fantasias (probably all written during the summer of 1680) through the lens of baroque performance practice. (In Fantasia No. 6 in F Majora vibrant musical conversation unfolds through a rich tapestry of imitative counterpoint). By contrast, they offer a more modern interpretation of the Chacony in G Minor, using Benjamin Britten’s performance edition. Listen to the array of adventures which unfold over this single repeating passacaglia bass line, ultimately fading into quiet melancholy in the final bars:

The final movement of Britten’s String Quartet No. 2, written in 1945, pays homage to Purcell’s Chaconne. You’ll hear echoes of the stately baroque dotted rhythm and passacaglia bass line from the excerpt above. But here, the ghosts of past composers emerge in a distinctly twentieth century sound world. The movement, which is longer than the preceding two movements combined, opens with an expansive unison statement of the theme, followed by 21 variations. Solo cadenzas bring sometimes raucous interjections between variations.

There’s something about Britten’s music which often gives me a visceral sense of infinite space and timelessness. This quality is present in the shimmering Four Sea Interludes from Britten’s opera, Peter Grimes, completed the same year as the Second String Quartet. It occurs at strange moments throughout this final movement- in the surreal unison opening, in this passage where, for a brief moment, you can almost hear the Sunday morning bells of Peter Grimes, and in the repeated C major chords of the final bars which provide a defiant resolution while seeming to extend into the silence beyond.

The Zorian Quartet’s November 21, 1945 premiere of Britten’s Second String Quartet at Wigmore Hall marked the 250th anniversary of Purcell’s death. The Emerson String Quartet’s recent album highlights the kindred bond which seems to exist between Britten and Purcell.


  • Chaconnes and Fantasias: Music of Britten and Purcell, Emerson String Quartet iTunes
  • The Emerson String Quartet’s complete discography iTunes

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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