Remembering Soprano Heather Harper

The British operatic soprano Heather Harper passed away on Monday at the age of 88.

Born in Belfast, Harper came to international attention when she stepped in at ten days notice for the world premiere of Benjamin Britten’s War Requiem at Coventry Cathedral in 1962. (Galina Vishnevskaya, for whom the part was written, was denied permission by Soviet authorities on the grounds that Britten’s work was too “political.”) Harper went on to perform the role of Ellen Orford in a 1969 BBC production of Britten’s Peter Grimes (pictured, above). She was a favorite of conductors such as Rudolf Kempe and Sir Georg Solti. (She was a soloist on Solti’s 1972 Grammy-winning recording of Mahler’s Eighth Symphony with the Chicago Symphony).

Here is a brief sample of her recordings:

Mozart: “Porgi, amor, qualche ristoro” from “The Marriage of Figaro”

Heather Harper’s Metropolitan Opera debut came in 1977 when she appeared as Countess Almaviva in Mozart’s The Marriage of FigaroThis recording with Daniel Barenboim and the English Chamber Orchestra was made the same year.

In “Porgi, amor, qualche ristoro,” the Countess reflects with sorrow on the Count’s infidelity. In Monday’s post, we examined the way The Marriage of Figaro transcends traditional opera buffe to delve deeper into the inner psychology of the character. This must be one of the opera’s most beautiful and touching examples:

Wagner: “Einsam in trüben Tagen” from Lohengrin

In this shimmering excerpt from the first act of Lohengrin, Elsa recounts a dream in which a white knight is sent by God to defend her. The Romantic story of the Swan Knight, from the misty recesses of medieval German mythology, was the inspiration for King Ludwig II of Bavaria’s Neuschwanstein Castle.

Here is a 1967 recording from Harper’s performance at the Bayreuth Festival with conductor Rudolf Kempe:

Ravel: “La Flûte enchantée” from “Shéhérazade”

The second movement of Ravel’s three-song cycle inspired by the Arabian Nights tells the story of a slave girl who, while tending to her sleeping master, hears the seductive sounds of her lover playing the flute outside her window. Listen to the way this sad and sensuous music floats into our consciousness and then, in the final bars, evaporates like a fleeting dream.

Harper is joined by conductor Pierre Boulez and the BBC Philharmonic Orchestra:

Handel: “Rejoice Greatly, O Daughter Of  Zion” from “Messiah”

This performance with Sir Colin Davis and the London Symphony Orchestra sparkles with bright colors and incredible dramatic power. We get the ultimate sense of joyful “proclamation”:

Britten: “Embroidery in Childhood” from Peter Grimes

This haunting aria comes in the final act of Peter Grimes. The silk outfit Ellen made for Peter’s boy apprentice has washed up on shore, suggesting that the boy has drowned. In the closing bars, listen to the way Britten’s music captures a sense of time standing still in the face of horrific realization.


  • Mozart: The Marriage of Figaro, Daniel Barenboim, English Chamber Orchestra, Dietrich Fischer-Dieskau, Judith Blegren, Teresa Berganza, Heather Harper, Geraint Evans , Brigit Finnila, John Alldis Choir Amazon
  • Wagner: Lohengrin, Rudolf Kempe, Thomas Tipton, Grace Hoffman, Heather Harper, Karl Ridderbusch, Donald McIntyre Amazon
  • Ravel: Shéhérazade, Heather Harper, Pierre Boulez, BBC Symphony Amazon
  • Handel: Messiah, Sir Colin Davis, London Symphony Orchestra and Chorus, Heather Harper, Helen Watts, John Wakefield, John Shirley-Quirk, Ralph Downes, Leslie Pearson Amazon
  • Britten: Peter Grimes, Op. 33, Colin Davis, Royal Opera House Covent Garden, Jon Vickers, Heather Harper, Jonathan Summers, Elizabeth Bainbridge, Teresa Cahill, Anne Pashley, John Dobson Amazon

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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