Remembering Lynn Harrell

The American cellist Lynn Harrell passed away unexpectedly on Monday. He was 76.

Years ago when I was a student one summer at the Chautauqua Institution, I attended Harrell’s masterclass and recital. His down-to-earth, irreverent sense of humor, powerful, singing tone, and profound musicianship are etched in my memory.

During a career that spanned six decades, Lynn Harrell appeared regularly with the world’s top orchestras. He will be remembered also as an accomplished chamber musician and teacher. In 1964, at the age of 20, he made his debut at Carnegie Recital Hall (now Weill Recital Hall). The same year, George Szell appointed him principal cello of the Cleveland Orchestra, a position Harrell held until 1971.

In recent years, Lynn Harrell was dedicated to the HEARTbeats Foundation, a non-profit organization he founded with his wife, violinist Helen Nightengale, that “strives to help children in need harness the power of music to better cope with, and recover from, the extreme challenges of poverty and conflict.” Drew McManus, author of the blog, Adaptistration, accompanied the Harrells to Kathmandu, Nepal in 2010 as part of the Foundation’s work. He shared his memories and photos in a post published yesterday.

Lynn Harrell leaves behind more than two dozen recordings. His recording of Tchaikovsky’s A minor Piano Trio with Itzhak Perlman and Vladimir Ashkenazy was awarded a Grammy in 1981. The same group was awarded another Grammy in 1987 for an album featuring Beethoven’s piano trios.

Schumann: Cello Concerto in A minor, Op. 129

This 1982 performance of Schumann’s Cello Concerto with Sir Neville Marriner and the Cleveland Orchestra is filled with fiery passion and soulfulness. According to his son, Harrell listened extensively to recordings of great singers. (His father, Mack Harrell, was a baritone who appeared frequently at the Metropolitan Opera). In a 1982 interview with the New York Times, Lynn Harrell compared the cello to the human voice saying, “the cello covers all vocal ranges — soprano, alto, tenor and bass.” This singing quality is evident here:

Rachmaninov: Sonata for Cello and Piano in G minor, Op. 19

Harrell and pianist Yuja Wang gave this performance of Rachmaninov’s Cello Sonata in G minor in July, 2008 at the Santa Fe Chamber Music Festival:

J.S. Bach: Suite for Cello Solo No. 1, BWV 1007 (Prelude)

Here is the opening movement from Bach’s First Cello Suite, released in 1999:


  • Schumann: Cello Concerto in A minor, Op. 129, Lynn Harrell, Sir Neville Marriner, Cleveland Orchestra
  • Rachmaninov: Cello Sonata in G minor, Op. 19, Lynn Harrell, Vladimir Ashkenazy
  • Bach: Six Suites for Solo Cello, BWV 1007-1012

About Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.

The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.

A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals.

In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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