Remembering Angela Lansbury

Angela Lansbury, the legendary star of film, stage, and television, passed away last Tuesday. She would have turned 97 on October 16. Beginning in the 1940s, the Irish-British-American actress earned acclaim on the silver screen with prominent roles in films which included Gaslight (1944), National Velvet (1944), The Picture of Dorian Gray (1945), and The Manchurian Candidate (1962). Between 1984 and 2003, she starred in the popular CBS television series, Murder, She Wrote. Lansbury’s …

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Mozart’s Sinfonia Concertante for Violin, Viola, and Orchestra: A Sublime Hybrid

Listen to the instrumental music of Mozart, and you may hear the unfolding of a virtual opera without words. Transcending mere vocal virtuosity, Mozart’s greatest operas offer layers of character development and dramatic sophistication. The instrumental lines of the orchestra rise to new prominence and engage with the voices onstage to create a magically enhanced drama. The literal reality of the story meets a deeper poetic reality. Boundaries are blurred and musical …

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Bach’s Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: A Conversation Among Equals

The traditional Baroque trio sonata, developed by composers such as Arcangelo Corelli, typically consisted of two violins and continuo. The continuo involved a partially improvised accompaniment in which the keyboard player would be given the bass line and the harmonic “short hand” of figured bass notation. It was an arrangement which was not unlike the harmonic changes in a jazz chart. With the Six Sonatas for violin and harpsichord (BWV 1014-1019), J.S. …

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Respighi’s “The Birds”: A Technicolor Homage to the Baroque

From Vivaldi’s The Four Seasons to Beethoven’s Pastoral Symphony, composers have been drawn to the idyllic sounds of bird calls echoing in the forest. These sounds are celebrated in shimmering sonic technicolor in Ottorino Respighi’s 1928 suite for small orchestra, The Birds (Gli uccelli). In the five-movement suite, Respighi transcribed four distinct bird songs into musical notation, and simultaneously paid homage to existing music from the seventeenth and eighteenth centuries. The intimate classical orchestra is augmented by …

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Adventures in Fourths: Music of Debussy, Bartók, and Gershwin

The Greek name for the interval of the perfect fourth was diatessaron. Translating as “across four,” it is a word which brings to mind Pythagorean harmonic ratios. Wide open sonorities that suggest neither major nor minor, perfect fourths and fifths became prevalent in the early medieval polyphony of composers such as Léonin and Pérotin. In the piano pieces below, we hear twentieth century composers exploiting the perfect fourth for purely expressive reasons. Here are three …

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Orlando Gibbons’ Three Royal Fantasies for Viols: Sit Fast

The music of the English composer, Orlando Gibbons (1583-1625), bridges the late Renaissance and early Baroque periods. Based in Cambridge and then at the Chapel Royal for much of his life, Gibbons became organist at Westminster Abbey in 1623. He enjoyed the patronage of King James I and his successor, Prince Charles. In addition to writing liturgical music and keyboard pieces, Gibbons developed the late English madrigal, creating such famous works as The …

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