Month: August 2023

Barber’s Cello Concerto: Music Which Stands on Its Own Terms

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Lushly Romantic, nostalgic, and autumnal, Samuel Barber’s Cello Concerto, Op. 22 has, in recent years, begun to emerge from the shadows of obscurity. Completed in November of 1945, around the time of Barber’s discharge from wartime service in the United States Air Force, it is the second of the composer’s three concerti, bookended by the Violin Concerto (1939) and Piano Concerto (1962). The work’s neglect has been attributed to its extreme technical …

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“Wouldn’t It Be Loverly”: Julie Andrews in “My Fair Lady” in 1961

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The 20- year-old Julie Andrews was experienced as a British Vaudeville actress, but “young and green” on the Broadway stage, when, in 1955, she was cast in the role of Eliza Doolittle in My Fair Lady. After a rocky start during rehearsals, where she interacted with the temperamental Rex Harrison (Henry Higgins), Andrews remembers the experience as “the great learning period” of her life. She recalls an intense, uninterrupted 48-hour period during rehearsals when …

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“Solar”: Keith Jarrett and Miles Davis

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Jazz is there and gone. It happens. You have to be present for it. That simple. -Keith Jarrett Originally attributed to Miles Davis, the tune Solar was written by the jazz guitarist Chuck Wayne. It was first heard at an intimate 1946 jam session in Oklahoma City. Later, Davis included it on his 1954 album, Walkin’. Here is an ecstatic improvisation on Solar by the American pianist, Keith Jarrett. The athletic performance took place in Japan in …

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Vivaldi’s Concerto for Four Violins in B Minor, RV 580: Dramatic Innovations

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The world of Antonio Vivaldi (1678-1741) was marked by dramatic innovation. In the Italian city of Cremona, just over a hundred miles from Vivaldi’s native Venice, instrument builders such as Antonio Stradivari and Giuseppe Guarneri were elevating the violin, tonally, to previously unimaginable heights. At the same time, Vivaldi, perhaps the world’s first rock star, captivated listeners with such blazing violinistic virtuosity that one witness described his playing as “terrifying.” Through techniques …

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André Watts Plays Gershwin: “The Man I Love,” “That Certain Feeling”

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On a Sunday afternoon recital at New York’s Avery Fisher Hall in 1976, the late André Watts placed the piano music of Gershwin and Schubert side by side. A reviewer at the time noted that it was the habit of both composers, when at parties, to take a seat at the piano and dazzle attendees with their most recent music. The music of George Gershwin remained a staple of Watts’ repertoire. An …

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Dvorák’s Piano Quartet No. 2 in E-flat Major: Melodies Coming in Droves

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As with Franz Schubert, Antonín Dvořák was a composer awash in melody. In a letter to a friend, dated August 10, 1889, Dvořák expressed gratitude for this seemingly effortless melodic stream: Do you want to know what I’m doing? My head is full of it. If only one could write it immediately! But it’s no use, I have to go slowly, only what the hand can manage and the Lord God will …

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