Baroque Period

New Release: The Emerson’s “Chaconnes and Fantasias: Music of Britten and Purcell”

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The Emerson String Quartet’s newest album spans three hundred years of English music. Chaconnes and Fantasias: Music of Britten and Purcell balances twentieth century composer Benjamin Britten’s Second and Third String Quartets with Chaconnes and Fantasias by baroque composer Henry Purcell (1659-1695). This year marks the Emerson Quartet’s 40th anniversary. This latest recording is the first to included British cellist Paul Watkins, who joined the group in 2013. The Emerson Quartet approaches Purcell’s Fantasias (probably all …

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Bach’s “Erbarme dich, mein Gott”

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This week we’ll explore music inspired by Good Friday and Easter, both sacred and secular. We’ll start in one of the most sublime and powerful corners of J.S. Bach’s St. Matthew Passion: the alto aria, Erbarme dich, mein Gott (“Have mercy Lord, My God, for the sake of my tears”). In the drama, this aria reflects Peter’s solitary heartache in the garden after he denies knowing Jesus three times. It’s set in a lilting 12/8 …

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New Release: Rafal Blechacz Plays Bach

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Johann Sebastian Bach is the simple but fitting title of a new album by 31-year-old Polish pianist Rafał Blechacz. The recording, released in February, features Bach’s Italian Concerto, Partita Nos. 1 and 3, Fantasia and Fugue In A Minor BWV 944, and the seldom-heard Four Duets BWV 802-805. (Blechacz offers this description of the Duets). British pianist Myra Hess’ arrangement of Jesus, Joy Of Man’s Desiring rounds out the disk. Bach’s Italian Concerto in F Major, published in 1735 as the first half or …

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New Release: Bach’s St. Matthew Passion, John Eliot Gardiner

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Each time we explore Bach’s music we feel as if we have traveled great distances to, and through, a remote but entrancing soundscape. -Sir John Eliot Gardiner An exciting new recording of Bach’s St. Matthew Passion was released last Friday. Sir John Eliot Gardiner leads the Monteverdi Choir (an ensemble he founded in 1964), the Trinity Boys Choir, the English Baroque Soloists, and a cast which includes James Gilchrist as the Evangelist and Stephan Loges as Jesus. The …

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Frigid Purcell and Lully: Two Chilly Scenes from Baroque Opera

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Henry Purcell’s 1691 semi-opera, King Arthur, contains a shivering musical depiction of winter chill. The aria, What Power Art Thou comes from the fantastical “Frost Scene” in Act 3 in which Cupid awakens the “Cold Genius” (the Spirit of Winter) who, frozen stiff, would prefer to just go back to bed: What power art thou, who from below Hast made me rise unwillingly and slow From beds of everlasting snow See’st thou not ( how stiff …

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Remembering Heinrich Schiff

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The world-renowned Austrian cellist and conductor Heinrich Schiff passed away on Friday. He was 65. Schiff leaves behind an extensive recorded legacy, including cello concertos of Vivaldi and Haydn, the Brahms Double Concerto with violinist Frank Peter Zimmermann, and the Shostakovich Cello Concertos, conducted by Maxim Shostakovich (the composer’s son). In 1971, he gave one of the earliest performances of the haunting Cello Concerto by twentieth century Polish composer Witold Lutoslawski. Heinrich Schiff will be remembered, also, for his spectacular 1985 recording of J.S. …

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Corelli’s “Christmas Concerto”: Nicholas McGegan and the Philharmonia Baroque Orchestra

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Here is music which evokes the hushed reverence and mystery of Christmas Eve: the Concerto grosso in G minor, Op. 6, No. 8 by Arcangelo Corelli (1653-1713). Corelli wrote twelve “concerti grossi,” a popular baroque genre which features a dramatic back-and-forth dialogue between the full ensemble and small groups of instruments. This piece is commonly called the “Christmas Concerto” because it may have been performed by Corelli on Christmas Eve, 1690. The title page bears …

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