If you’ve never heard Dylana Jenson’s 1981 recording of the Sibelius Violin Concerto with Eugene Ormandy and the Philadelphia Orchestra, take a moment and listen. This soulful and blazing performance is widely regarded to be one of the finest recordings of the Sibelius ever made. It’s a rare gem which deserves more attention. A child prodigy and student of Josef Gingold and Nathan Milstein, Jenson was awarded the silver medal at the 1978 …
Leonard Bernstein masterfully explored the subject of humor in music in one of his Young People’s Concerts. The episode takes listeners on a musical tour from Haydn and Rameau to Brahms, Mahler, Prokofiev and Shostakovich and offers insight into why we find certain music funny. To this day, no one has done more for music education than Bernstein. Watching these programs, which originally aired on CBS in the late 1950s, you can sense Bernstein’s passion and …
Yesterday marked the anniversary of the birth of influential Hungarian-born violinist and pedagogue Carl Flesch (1873-1944). As a teacher, Flesch produced some of the twentieth century’s most notable violinists, including Henryk Szeryng, Ginette Neveu, Josef Hassid, Ivry Gitlis, and Ida Haendel. His book, Art of Violin Playing and his Scale System are still used today. Boris Schwartz, a student of Flesch and the author of Great Masters of the Violin, writes: His dominant quality seemed …
Anne-Sophie Mutter first recorded Mozart’s Violin Concertos (No. 3 and 5) at the age of 14 with Herbert von Karajan and the Berlin Philharmonic (listen here). I grew up listening to this excellent recording, which features the slightly slower tempos you might expect from von Karajan, but nonetheless great sense of style and beautiful singing tone. In 2005 Mutter re-recorded the Mozart Concertos as part of her ambitious Mozart Project, this time with the London …
What do you do when you drive around a sharp curve and suddenly see the road coming to a dead end in front of you? The obvious answer is to turn around and find another route forward. Around 1920, Igor Stravinsky and other composers confronted a similar challenge. Romanticism had hit a wall. The colonialist expansion of nineteenth century Europe was disintegrating in the post-battlefield daze of an apocalyptic World War. In …
Scottish-Italian violinist Nicola Benedetti’s recording, Homecoming: A Scottish Fantasy, released on July 4, has made it to number 19 on the UK pop charts. The CD features traditional Scottish folk music like The Bonnie Banks o’ Loch Lomond, as well as German composer Max Bruch’s Scottish Fantasy, Op. 46. If you’re looking for authentic Scottish fiddle playing, you may be disappointed, but all in all this seems like a fun and eclectic recording. Benedetti talks about …
Last week we heard a sample of music inspired by Niccolò Paganini’s solo violin Caprice No. 24, which included Rachmaninov’s Rhapsody on a Theme of Paganini, Op. 43. Let’s return to the Rachmaninov and “drop the needle” at one of its most memorable moments, the Eighteenth Variation. This stunningly beautiful melody seems far removed from Paganini’s original bouncy theme in A minor, but it actually develops from the motivic seed of Paganini’s first five notes (the top …