Last week we heard a sample of music inspired by Niccolò Paganini’s solo violin Caprice No. 24, which included Rachmaninov’s Rhapsody on a Theme of Paganini, Op. 43. Let’s return to the Rachmaninov and “drop the needle” at one of its most memorable moments, the Eighteenth Variation. This stunningly beautiful melody seems far removed from Paganini’s original bouncy theme in A minor, but it actually develops from the motivic seed of Paganini’s first five notes (the top …
Conductor Lorin Maazel passed away yesterday at the age of 84. He will be remembered for his long, distinguished career and dramatic and idiosyncratic interpretations. Maazel debuted as a conductor at the age of 9, after starting violin lessons at 5. As an 11-year-old, he received an invitation from Arturo Toscanini to conduct the NBC Symphony. His music director posts included the Cleveland Orchestra (1972-1982), Vienna State Opera (1982-1984), Pittsburgh Symphony (1988-1996), Bavarian Radio Symphony …
The free-spirited Turkish pianist and composer Fazil Say (b. 1970) is an artist who refreshingly resists easy category. As a concert pianist, Say performs all of the standard repertoire with emotional warmth and effortless technique (here he plays Ravel’s Piano Concerto in G). As a composer, he has written symphonies, piano music, which draws on the prepared piano sounds popularized by John Cage and Henry Cowell (listen to the ethereal and sensuous Black …
Appalachian Spring is a ballet about freedom and endless possibility…the joy and terror of the blank slate at the heart of the mythical American pioneering spirit. The story centers around a young, newly married couple and the building of a farmhouse on an open plot of land in early 1900s rural Pennsylvania. It’s easy to sense a longing for a mythical America of wide open spaces, which had long vanished by 1944 …
J’ai embrassé l’aube d’été. (I have embraced the summer dawn). This epigraph by French poet Arthur Rimbaud is inscribed in the score of Arthur Honegger’s atmospheric tone poem, Pastorale d’été (Summer Pastorale). The piece is like a musical painting. It doesn’t evoke literal images, but instead feelings and loose associations. The natural world awakens amid the powerful inevitability of dawn. The soul of nature speaks through the music. Consider the distinct personas of the …
There is a significant update to Monday’s post regarding the Hartford Wagner Festival’s plans to use a “virtual orchestra” in performances of the Ring Cycle. On Monday afternoon the Festival announced that performances would be postponed due to the controversy, which resulted in resignations of key members of the company. Although it was not mentioned in the released statement, an apparent lack of financial support may also have played a role. A Kickstarter campaign, initiated on May 30 …
A recent University of Maryland School of Music student performance of Aaron Copland’s Appalachian Spring is gaining well deserved attention. The performance was unique because it defied almost all of the conventions of the typical concert experience. There were no chairs or music stands onstage and there was no conductor. Instead, the 25-minute-long work was performed by memory and the musicians not only played, but incorporated elements of dance and motion created by …