Twentieth Century

Michael Torke’s “An American Abroad” (“An American in Paris” 2.0?)

by

Did George Gershwin write this piece from the grave? The spirit of Gershwin seems to inhabit Michael Torke’s 2002 orchestral tone poem, An American Abroad. It’s music filled with broad, warmly embracing melodies, the almost naive optimism of Broadway, and, at moments, quiet nostalgia. The title is an obvious reference to Gershwin’s An American in Paris and brings to mind the mysterious nature of influence. Listening to this piece, I get the sense that Torke didn’t …

Read more

Gershwin and Ravel Share the Blues

by

Maurice Ravel and George Gershwin came face to face in New York on the evening of March 7, 1928. The occasion was a soirée hosted by the mezzo-soprano Éva Gauthier in celebration of Ravel’s fifty-third birthday. This was Ravel’s first and only trip to the United States. During a four month, twenty city tour which included an appearance at Carnegie Hall, the French composer introduced American audiences to Rapsodie espagnole, the Daphnis et Chloe Suite No. 2, and La valse. He …

Read more

The Dreamy Nostalgia of Barber’s “Knoxville: Summer of 1915”

by

It has become that time of evening when people sit on their porches, rocking gently and talking gently and watching the street and the standing up into their sphere of possession of the trees, of birds hung havens, hangars… The opening line of Samuel Barber’s Knoxville: Summer of 1915 for voice and orchestra paints this dreamy, nostalgic scene of a summer, and America, long past. It’s a partial setting of James Agee’s autobiographical fragment …

Read more

Mahler Turns 157

by

Today marks the 157th anniversary of the birth of Gustav Mahler. Mahler was born on July 7, 1860 in the sleepy village of Kaliště (population 330) in what is now the Czech Republic. He was only a few months old when his parents moved the family to the larger regional center of Jihlava. (The city’s German name is Iglau). Below is a live concert performance of Mahler’s Fifth Symphony from this past March. Andrés Orozco-Estrada …

Read more

“Rabbit and Rogue”: Danny Elfman’s Larger-Than-Life Ballet Score

by

Danny Elfman’s film and television scores frequently exhibit a kind of quirky, slightly deranged humor. For example, listen to the zany music which accompanies “The Breakfast Machine” scene from the 1985 comedy, Pee-wee’s Big Adventure, in which the persistent pulse of Khachaturian’s Sabre Dance meets 1920s Kurt Weill. I love the way the mechanized madness of that scene is launched by that quiet, initial rhythmic vamp in the bells. Something similar to those chimes from Pee-wee’s Big Adventure …

Read more

“The Stars and Stripes Forever”: Three Historic Recordings

by

John Philip Sousa’s most famous march was written on Christmas Day, 1896 during a transatlantic ocean liner voyage. Returning home from a European holiday, the composer had just learned of the death of his band’s manager, David Blakely. Sousa likely waited until he reached land to commit the actual notes to paper. But, according to his own account, the complete march entered his mind in a flash and continued to haunt him throughout …

Read more

Dvořák’s “New World Symphony”: Alan Gilbert and the New York Philharmonic

by

On Friday, it was announced that conductor Alan Gilbert will take the reins of Hamburg’s NDR Elbphilharmonie Orchestra as its next chief conductor. Between 2004 and 2015, Gilbert served as the ensemble’s principal guest conductor. (Back in January, I wrote about the opening of the NDR Elbphilharmonie Orchestra’s spectacular new landmark concert hall, which floats above Hamburg’s harbor like a giant, glistening, icy wave). Alan Gilbert’s final performance as music director of the New York …

Read more