Twentieth Century

Remembering Peter Maxwell Davies

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Earlier in the week, the music world lost another original voice. British composer and conductor Sir Peter Maxwell Davies passed away on Monday following a battle with leukemia. He was 81. A longtime resident of the remote Orkney Islands, Davies was a prolific composer whose works include ten symphonies, chamber music, operas, and concertos. He was an outspoken cultural critic and an advocate for music education, serving as music director at Cirencester …

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Steve Reich’s Piano Phase: What Are You Afraid Of?

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It’s not everyday that a harpsichord recital leads to a riot, but apparently that’s what happened this past Sunday in Cologne. Iranian-American harpsichordist Mahan Esfahani attempted to perform a composer-sanctioned version of Steve Reich’s Piano Phase (1967) at the Cologne Philharmonie when members of the audience became disruptive. He was in the middle of a program of music taken from his recent recording, Time Present and Time Past, which sets the standard baroque harpsichord repertoire …

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Shostakovich’s Enigmatic Sixth

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Dmitri Shostakovich’s Sixth Symphony is an outlier…a rule breaker. At first glance, its form seems startlingly unbalanced and arbitrary. It’s cast in three movements rather than four: A slow, darkly ominous first movement followed by two short, almost frivolous scherzos. The result is schizophrenic and unsettling…a jarring juxtaposition of starkly contrasting moods. It’s the quintessential anti-heroic symphony, shattering our hopes and expectations. By the time we reach the final movement, a simultaneously …

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Ravel’s Shéhérazade: L’indifférent

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Impressionism celebrates the vague and the intangible…the ephemeral play of color and light and the blurring of reality and dreams. That’s the atmosphere that surrounds L’indifférent (“The Indifferent One”), the final movement of Maurice Ravel’s 1903 song cycle, Shéhérazade. The song’s text is from a collection of 100 poems (One Thousand and One Nights) by Ravel’s friend, Tristan Klingsor (pseudonym of Léon Leclère). It tells a vague, seductive story of unrequited passion and infatuation from afar. The poem’s narrator is attracted …

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The 2016 Classical Grammys

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Here is an overview of the 2016 Grammy Awards in the classical categories, announced earlier this week. The list is dominated by twentieth century music, both familiar and obscure. Several of the albums are live concert recordings. Best Orchestral Performance “Shostakovich: Under Stalin’s Shadow — Symphony No. 10,” Andris Nelsons, conductor (Boston Symphony Orchestra) This is Andris Nelsons’ inaugural recording as Music Director of the Boston Symphony. The album includes Shostakovich’s Symphony No. …

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Remembering Composer Steven Stucky

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Over the years, the colorful orchestral compositions of American composer Steven Stucky have crossed my music stand occasionally. So I was surprised and saddened to hear that Stucky passed away on Sunday at his home in Ithaca, New York following a battle with an aggressive form of brain cancer. He was 66. Steven Stucky had a long association with the Los Angeles Philharmonic, serving as resident composer between 1988 and 2009. His …

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Nixon in China for Presidents’ Day

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When you think of Presidents’ Day, what names first come to mind? …Washington? …Lincoln? Probably not Richard Nixon. But in John Adams’ 1987 opera Nixon in China, the 37th president becomes a mythic figure of Shakespearian proportion. The three act opera’s plot centers around Nixon’s historic 1972 diplomatic visit to China. In an interview with Edward Strickland shortly after Nixon in China‘s Houston premiere, John Adams said, …My Nixon is not the historical Richard …

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