Twentieth Century

Respighi Meets Botticelli

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    Ottorino Respighi’s Trittico Botticelliano (Three Botticelli Pictures), written in 1927, was inspired by the work of Italian Renaissance painter, Sandro Botticelli. The second movement is a musical depiction of Botticelli’s famous nativity scene, Adoration of the Magi.  Color and atmosphere are important elements in Respighi’s music. Notice the distinct voices of the bassoon and oboe and the contrast between the dark, velvety strings and the shimmering timbre of the flute. Towards the …

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Remembering Lydia Mordkovitch

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Russian-born violinist Lydia Mordkovitch passed away earlier in the week. She was a student of David Oistrakh and served as his assistant in the late 1960s. In this interview she talks about her Russian musical roots and the influence of Oistrakh’s teaching. Mordkovitch emigrated to the United Kingdom in 1980. In 1995 she joined the faculty of the Royal Academy of Music. Her extensive discography on the Chandos label includes music of English composers …

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Friday Afternoons with Benjamin Britten

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  Last Friday, children across the world came together to sing. Friday Afternoons, a global project designed to promote singing in schools, began in 2011 as part of celebrations of the centennial of Benjamin Britten’s birth. Last year, 67,000 students around the world participated in the live-streamed event, organized by Aldenburgh Music. In the early 1930s, Benjamin Britten wrote a collection of twelve songs called Friday Afternoons for students at the Clive House School in Prestatyn …

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Vaughan Williams’ Pastoral Symphony: Nature’s Lament

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  With a title like A Pastoral Symphony, you might expect Ralph Vaughan Williams’ Third Symphony, completed in 1922, to evoke bubbling brooks and the quiet hedgerows of England’s “green and pleasant land.” But listen, and you’ll hear music which, instead, suggests a melancholy alienation from nature. The music feels strangely hazy and shell-shocked. Its pastures are the battlefields of the First World War, not the bucolic scenes of Beethoven’s Sixth Symphony or a Schubert …

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Turkey Trot

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In celebration of Thanksgiving, here is Turkey Trot, the fifth movement of Leonard Bernstein’s Divertimento. Written in 1980 for the Boston Symphony’s centennial season, Divertimento is a collection of short, witty musical vignettes, which includes a waltz in the unusual meter of 7/8 time. The final movement, “The BSO Forever”, is a tribute to John Philip Sousa and the ghosts of the orchestra’s past conductors and musicians. The piece’s motives grow out of two pitches: B (Boston) and C (centennial). Divertimento is …

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The Hallé Records Vaughan Williams

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This month, conductor Sir Mark Elder and the Manchester, UK-based Hallé Orchestra released the latest in a series of recordings of the music of twentieth century English composer, Ralph Vaughan Williams (1872-1958). The recording includes Vaughan William’s Pastoral Symphony, Fantasia on a Theme by Thomas Tallis, Five Variants of “Dives and Lazarus” and The Wasps Overture. You can browse through the orchestra’s extensive discography here. The Hallé’s long association with the music of Vaughan Williams extends …

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A Resolution in Atlanta

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The Atlanta Symphony’s two-month-long lockout ended over the weekend. With the help of federal mediation, musicians ratified a four year contract. The agreement halts ASO management’s attempt to gain “flexibility” by downsizing the orchestra, ensuring a compliment of 88 full time musicians by the contract’s final year. Read this article and visit Drew McManus’ Adaptistration for background and in-depth analysis. The lockout (the second in Atlanta in two years) has delayed the start of …

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