Twentieth Century

Arvo Pärt’s “Silouan’s Song”: “My Soul Yearns After the Lord”

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Arvo Pärt’s Silouan’s Song, composed in 1991 for string orchestra, reveals the sacred quality of both sound and silence. Inhabiting a meditative space which taps into cosmic expanses, it unfolds with the mystical bell tones of the Estonian composer’s tintinnabulation style. Pärt’s inspiration for the piece came from a text by the Russian poet and monk, St. Silouan (1866–1938), who spent much of his life at St Panteleimon on Mount Athos. Each phrase …

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Villa-Lobos’ Bachianas Brasileiras No. 9 (Version for Choir): Valentina Peleggi and the São Paulo Symphony Choir

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In a 1945 letter to the Bach Society of São Paulo, composer Heitor Villa-Lobos wrote, The music of Bach is without question the most sacred gift to the world of art…Since Bach expressed his thoughts of God and the universe through his musical creations originating from his own country, he gave the most spiritual expression of human solidarity, we should also understand, love and cultivate the music that is born and lives, …

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Stravinsky’s Eight Instrumental Miniatures: The Land of Children at Play

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In 1921, Igor Stravinsky composed a set of simple piano pieces for children titled, Les cinq doigts (“The Five Fingers”). Charmingly spare and neoclassical, each of the eight whimsical keyboard exercises are built on five notes, played in the right hand. Stravinsky returned to this music in 1962 to create the 8 Instrumental Miniatures for 15 Players. It is music which inhabits the innocent, magical land of children at play. The brief …

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Dvořák’s “Rusalka”: Four Key Excerpts

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First performed on March 31, 1901 in Prague, Antonín Dvořák’s enduring fairytale opera in three acts, Rusalka, Op. 114, blends Slavic mythology with the story of Hans Christian Andersen’s The Little Mermaid . Rusalka is a water nymph who falls in love with a human—a Prince who happens one day to swim in her lake. She tells her father, the water goblin, that she wishes to become human to be with the …

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Remembering Sir Andrew Davis

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Sir Andrew Davis, the renowned English conductor, passed away on April 20 following a brief battle with leukemia. He was 80. Davis served as music director of the Toronto Symphony Orchestra from 1975 to 1988, and later as chief conductor of the Melbourne Symphony Orchestra (2013–2019). From 1989 until 2000, he led the BBC Symphony Orchestra, becoming the longest-serving chief conductor of that ensemble since Adrian Boult. As an opera conductor, Davis …

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Stravinsky’s Concerto in E-flat, “Dumbarton Oaks”: A Sparkling Neoclassical Dialogue

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The riot-inducing 1913 premiere of Igor Stravinsky’s primal ballet score, The Rite of Spring, changed the course of 20th century music. Yet, ultimately, it was an artistic one-off. The final, cacophonous notes of the Sacrificial Dance faded away, and soon, with the 1920 ballet score for Pulcinella, Stravinsky’s style took another sharp and unexpected turn. Austere, witty, and pared down, the new neoclassicism returned to the balance, form, and symmetry of Bach and …

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Remembering Kalevi Kiviniemi: Organ Music of Jean Sibelius

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Kalevi Kiviniemi, the renowned Finnish concert organist, passed away on April 3 at his home in Lahti after suffering a heart attack. He was 65. Kiviniemi’s international career blossomed in the late 1980s, with recitals throughout Europe, the United States, Asia, and Australia. He was at home among the world’s greatest organs, and performed frequently at Notre-Dame in Paris. Kiviniemi was the first to record the complete organ works of Jean Sibelius. …

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