David Diamond’s Fourth Symphony: A Neglected Mid-Century Masterwork

There’s a whole group of great American symphonists who came of age in the 1920s, ’30s, and ’40s, flourished in the middle of the century, and then fell into relative neglect as atonality became the ruling doctrine of concert music. Their names include Howard Hanson, Walter Piston, William Schuman, and Roy Harris. David Diamond (1915-2005) is another significant composer from this group. Diamond’s music was programmed in the 1940s and ’50s by …

Read more

Mendelssohn Meets Bach: The Second Cello Sonata

Visit the eastern German city of Leipzig and you’ll find yourself walking in the footsteps of countless great composers. Two prominent examples are J.S. Bach and Felix Mendelssohn. Bach was Kapellmeister at Leipzig’s St. Thomas Church from 1723 until his death in 1750. A hundred years later, Mendelssohn led the Gewandhaus Orchestra from 1835 to 1847. Mendelssohn was instrumental in bringing about a renewed interest in the music of J.S. Bach. Amid the elegant simplicity of the …

Read more

Brahms’ First Piano Concerto: Rising to Symphonic Scale

A ferocious, stormy intensity is unleashed in the opening of Johannes Brahms’ Piano Concerto No. 1 in D minor. With an ominous inevitability, the expansive opening theme growls, snarls, and lashes its teeth, rising up like some kind of awesome supernatural power. Immediately, we’re drawn into music which is bold and monumental- a kind of symphony with solo piano. For nearly four years, beginning in 1854, the young Brahms wrestled with the form of …

Read more

New Release: Rachel Barton Pine Plays Elgar and Bruch

Violinist Rachel Barton Pine just released her 36th album in January. It features Edward Elgar’s Violin Concerto in B minor alongside the First Violin Concerto of Max Bruch. Barton Pine is accompanied by the BBC Symphony Orchestra, led by Andrew Litton. She talks about the recording in this recent interview with Richmond Public Radio’s Mike Goldberg. Rachel Barton Pine dedicated the album to “the memory of a musical hero and generous friend, Sir Neville …

Read more

Barber’s “Adagio for Strings”: Manfred Honeck and the Pittsburgh Symphony

This may be the newest recording of Samuel Barber’s famous Adagio for Strings. It’s part of a Grammy award-winning album released last August by Manfred Honeck and the Pittsburgh Symphony. Recorded live in concert at Heinz Hall, it’s paired on the album with Shostakovich’s Fifth Symphony, another monumental twentieth century work written at virtually the same time. Adagio for Strings was originally conceived as the second movement of Barber’s 1936 String Quartet in B minor, Op. 11. Shostakovich …

Read more

Five Excerpts from Verdi’s “Simon Boccanegra”

The premiere of the first version of Giuseppe Verdi’s three act opera, Simon Boccanegra, took place in Venice on this date (March 12) in 1857. At this first performance, the dark, historical drama, once described by the composer as “too sad and desolate,” was a flop. Verdi returned to the work over twenty years later with an 1881 revision that was more successful. This is the version that is most often heard today. It contains some …

Read more

The 2018 Oscars: Nominees for Best Original Score

The 90th Academy Awards ceremony was held last Sunday. French composer Alexandre Desplat’s music for The Shape of Water was awarded Best Original score. Here are excerpts from the five scores nominated for this category for 2018: “The Shape of Water” (Alexandre Desplat) Arpeggios rise and fall in continuous waves of sound in Desplat’s music for the opening scene of The Shape of Water. The composer discusses the music for this love story between a mute …

Read more