Handel’s Concerto Grosso, Op. 6, No. 5 in D Major: “Arise! Arise!”

The tuneful Voice, was heard from high, Arise! Arise! Arise ye more than dead! – John Dryden (A Song for Saint Cecilia’s Day) Handel’s Concerto Grosso, Op. 6, No. 5 begins with a joyful musical “call to order.” A celebratory fanfare in the solo violin seems to be the “tuneful voice” from John Dryden’s 1687 poem, urging us to “arise!” In fact, the first, second, and sixth movements of this Concerto Grosso …

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Celebrating Tax Day with Burlesque Bach

If you’ve been griping about taxes recently, you may sympathize with the characters in J.S. Bach’s secular Peasant Cantata, BWV 212, first performed in 1742. Bach referred to this popular, comic work as “Cantate burlesque.” Listen to the entire work here. In this excerpt, Ach, Herr Schösser, geht gar nicht zu schlimm, the farmer decries the unfair burden of land taxes. Here is a translation, beginning with the preceding recitative: The master is good: but the …

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Remembering Christopher Hogwood

Conductor, harpsichordist, and early music scholar Christopher Hogwood passed away last week at the age of 73. He was an influential advocate of authentic performance practice and the use of period instruments. He helped pioneer a movement which attempted to recreate the original sound and style of baroque and classical music. In 1973 he founded the Cambridge, England-based Academy of Ancient Music. You can explore a collection of his lectures here and view …

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