Remembering Peter Serkin: Five Essential Recordings

The American pianist Peter Serkin passed away on Saturday after a battle with pancreatic cancer. He was 72. Serkin was part of a distinguished musical lineage. His father was Rudolf Serkin, the legendary Bohemian-born American pianist and director of the Curtis Institute of Music. His maternal grandfather was the German violinist and conductor, Adolf Busch. As if to throw off the burden of this heritage, Serkin was something of a musical maverick. Following …

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Arturo Benedetti Michelangeli: Five Legendary Recordings

Last Sunday marked the 100th anniversary of the birth of the Italian pianist, Arturo Benedetti Michelangeli (1920-1995). Michelangeli has been called “one of the most enigmatic performers of the twentieth century.” A noted perfectionist, his concert repertoire was considered to be small, and he agreed to the release of relatively few recordings during his lifetime. He practiced eight to ten hours a day, telling students, “One has to work to feel your arms and back …

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Chopin’s Four Scherzos: Darkly-Veiled Jest?

On Monday, we explored five monumental scherzos from nineteenth and twentieth century symphonies. These ferocious works leave behind the original lighthearted concept of the “scherzo,” which means “joke” in Italian. The dynamic, sometimes terrifying, drama unleashed in this music is anything but a joke. Fryderyk Chopin’s four Scherzos for solo piano are similarly definition-shattering. They are filled with moments of haunting mystery, turbulence, soaring Romantic fervor, and intense drama. In his review of Scherzo No. …

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Rubinstein Plays Chopin: Three Legendary Recordings

Today marks the 132nd anniversary of the birth of the Polish-American pianist, Arthur Rubinstein (1887-1982). In its obituary for Rubinstein on December 21, 1982, the New York Times pointed out a remarkable lineage: Undeniably, part of the Rubinstein manner (and mystique) was his pianistic pedigree, which went back to many legendary 19th-century musicians. Rubinstein’s first big-name enthusiast was Joseph Joachim, the violinist friend of Brahms. His early piano training came from Karl Heinrich Barth, a pupil …

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Chopin’s “Barcarolle in F-Sharp Major”: Krystian Zimerman

Frédéric Chopin’s Barcarolle in F-sharp Major, Op. 60 feels dreamy and autumnal. Its serene, wistful, rocking rhythm transports us far beyond the Venetian gondolier associations we might typically expect in a barcarolle. Musical Romanticism is all about the moment, pulling us into the expressive pathos of a single chord. We get a sense of this mysterious process at work as this music unfolds, from the quiet, shimmering transcendence of this passage, to the shifting harmonic …

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A Flash of Operatic Drama in Chopin’s Second Concerto

There’s a strange flash of operatic drama in the middle of the otherwise dreamy second movement of Frédéric Chopin’s Piano Concerto No. 2. It’s a moment which caught my attention recently, while I was playing this piece in the orchestra. Chopin, the Polish virtuoso pianist and Romanticist, isn’t a composer we often associate with opera. But, while living in exile in Paris, following Poland’s unsuccessful 1830 November Uprising against the Russian Empire, Chopin frequently attended …

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Ivan Moravec Plays Chopin

  The legendary Czech pianist Ivan Moravec passed away on Monday at the age of 84. He was widely regarded as one of the finest interpreters of the music of Chopin. Mozart and Debussy were also high points of his repertoire. Born in Prague, and initially limited by the constraints of the Iron Curtain, Moravec first became known in the West through his recordings. Listening to Moravec’s extensive discography, it’s easy to …

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