Arvo Pärt’s “Summa”: Renaud Capuçon and Orchestre de Chambre de Lausanne

In 1994, the Estonian composer Arvo Pärt (b. 1935) said, I have developed a highly formalised compositional system, which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series. Beginning in the 1970s, Pärt’s music represented a radical departure from the atonal modernism that was prolific during much of the twentieth century. Instead, what emerged was music which was simultaneously …

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Arvo Pärt: Spirit in Sound and Space

In June the Metropolitan Museum of Art and St. Vladimir’s Orthodox Theological Seminary hosted a thought-provoking discussion, Spirit in Sound and Space- A Conversation Inspired by Arvo Pärt, in conjunction with this summer’s Arvo Pärt Project. The discussion brought together architect Steven Holl, neuroscientist Robert Zatorre, and musician and theology professor Peter Bouteneff. For Steven Holl, one of the most visionary contemporary architects, ideas often emerge through the process of painting watercolors. Buildings like the Chapel of St. Ignatius in Seattle and the Knut …

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