Palestrina’s “Sicut Cervus,” The Cambridge Singers

As a hart longs for the flowing streams, so longs my soul for thee, O God. -Psalm 42:1 Palestrina’s motet, Sicut cervus, is a setting of this poetic text. Serene and sensuous, its four-voice Renaissance polyphony evokes the flowing water that promises to satisfy the thirsty deer. Its expansive, continuously aspiring lines suggest a deep sense of longing and lament. Giovanni Pierluigi da Palestrina (c. 1525-1594) composed six books of motets, along …

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Palestrina’s Magnificat primi toni, Voces8

Before the rich counterpoint of J.S. Bach, there was the seamless, contrapuntal polyphony of the Italian Renaissance composer, Giovanni Pierluigi da Palestrina (c.1525-1594). The sacred music of Palestrina greatly influenced Bach and the composers who followed. Bach studied and hand-copied Palestrina’s first book of Masses and adapted parts of the Missa sine nomine. Felix Mendelssohn noted Palestrina’s influence when he wrote, “I always get upset when some praise only Beethoven, others only Palestrina and still others …

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Arvo Pärt: Spirit in Sound and Space

In June the Metropolitan Museum of Art and St. Vladimir’s Orthodox Theological Seminary hosted a thought-provoking discussion, Spirit in Sound and Space- A Conversation Inspired by Arvo Pärt, in conjunction with this summer’s Arvo Pärt Project. The discussion brought together architect Steven Holl, neuroscientist Robert Zatorre, and musician and theology professor Peter Bouteneff. For Steven Holl, one of the most visionary contemporary architects, ideas often emerge through the process of painting watercolors. Buildings like the Chapel of St. Ignatius in Seattle and the Knut …

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