Clara Andrada de la Calle Plays Ibert

The twentieth century French composer, Jacques Ibert (1890-1962), did not adhere to a single stylistic “school.” Instead, famously he declared that “all systems are valid so long as one derives music from them.” Ibert’s Flute Concerto, written in 1932 for Marcel Moyse, is filled with sparkling, effervescent humor and a jazzy, midcentury Parisian elegance. Set in three movements (fast-slow-fast), it is a work of cheerful, frolicking Neoclassicism. The first movement (Allegro) begins with …

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All Aboard! Five Pieces Inspired by Trains

Music reflects the sounds of the time. In the Middle Ages and Renaissance, music was centered around the human voice and the motion of the body through dance. Music of the eighteenth century emerged from the pastoral sounds of nature, hunting horns, and the bugle calls of the battlefield. Throughout the nineteenth and twentieth centuries, music got louder and more discordant amid the mechanized roar of the Industrial Revolution. Perhaps electricity and computers inform …

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