I cannot say what I think is right about music. I only know the rightness of it. -Keith Jarrett The American pianist and composer Keith Jarrett (b. 1945) began his career performing with Art Blakey, Charles Lloyd, and Miles Davis. He remains firmly rooted in jazz. Yet, when you venture into the magical world of Jarrett’s solo piano improvisations, the shackles of category fall away. Pure music remains, with echoes of Debussy, …
Listen to Frédéric Chopin’s D-flat major Berceuse, Op. 57, completed in 1844, and you might get the uncanny feeling that you’re hearing a jazz improvisation. As its title suggests, on one level, Chopin’s masterwork is a dreamy, gently rocking lullaby. Until the final cadence, it’s built on a sublime harmonic oscillation made up of just two chords. It begins with a serene melody which seems to anticipate the Gymnopédies of Erik Satie, published …
With Saint Patrick’s Day around the corner, this seems like a good time to pause and take in the sublime beauty of Keith Jarrett’s improvisation on the ancient Irish melody, “Danny Boy.” This melody has been a rich source for jazz musicians, from the jubilant virtuosity of Art Tatum, to the sultry soulfulness of the Oscar Peterson Trio, to the far-reaching development of Bill Evans. Jarrett’s approach finds a songful simplicity and a celebration of the moment. Listening to …
Jazz is there and gone. It happens. You have to be present for it. That simple. -Keith Jarrett Mozart, Beethoven, and Schubert were all masters of keyboard improvisation- the ability to use a well known melody as the basis for completely new, spontaneous music. Perhaps no one alive today continues that tradition more eloquently than jazz pianist Keith Jarrett. Jarrett describes the process in mystical terms. He says that his hands take over …
Two chords, set in a continuous loop between tension and resolution, provide the foundation for this powerful solo improvisation by pianist and composer Keith Jarrett. It was the final encore from a concert in Tokyo in 1984. Jarrett (b. 1945) is an American pianist and composer who moves freely between the worlds of jazz and classical. (Listen to part of his recording of J.S. Bach’s Well Tempered Clavier here.) He talks about improvisation in …